Michael Jackson – Invincible
Tracklist
| A1 | Unbreakable | 6:25 | |
| A2 | Heartbreaker | 5:10 | |
| A3 | Invincible | 4:45 | |
| A4 | Break Of Dawn | 5:32 | |
| B1 | Heaven Can Wait | 4:49 | |
| B2 | You Rock My World | 5:39 | |
| B3 | Butterflies | 4:40 | |
| B4 | Speechless | 3:18 | |
| C1 | 2000 Watts | 4:24 | |
| C2 | You Are My Life | 4:33 | |
| C3 | Privacy | 5:05 | |
| C4 | Don't Walk Away | 4:25 | |
| D1 | Cry | 5:01 | |
| D2 | The Lost Children | 4:00 | |
| D3 | Whatever Happens | 4:56 | |
| D4 | Threatened | 4:19 |
Companies, etc.
- Pressed By – Record Industry – 85181
- Phonographic Copyright ℗ – MJJ Productions Inc.
- Copyright © – MJJ Productions Inc.
- Manufactured By – Music On Vinyl B.V.
- Distributed By – Music On Vinyl B.V.
- Manufactured For – Sony Music Entertainment
- Recorded At – The Hit Factory
- Recorded At – The Hit Factory Criteria
- Recorded At – Future Recording Studios
- Recorded At – Record Plant, Los Angeles
- Recorded At – Sony Music Studios, New York City
- Recorded At – Darkchild Studios
- Recorded At – Barking Doctor Recording
- Recorded At – Marvin's Room
- Recorded At – Brandon's Way Recording
- Recorded At – Capitol Studios
- Mixed At – The Hit Factory
- Mixed At – The Hit Factory Criteria
- Mixed At – Future Recording Studios
- Mixed At – Record Plant, Los Angeles
- Mixed At – Sony Music Studios, New York City
- Mixed At – Darkchild Studios
- Mixed At – Barking Doctor Recording
- Mixed At – Marvin's Room
- Mixed At – Brandon's Way Recording
- Mixed At – Capitol Studios
- Mastered At – Bernie Grundman Mastering
Credits
- Art Direction – Nancy Donald
- Design [Cover Design] – Steven Hankinson
- Edited By [Additional Digital Editing], Engineer [Additional] – Michael Prince (3)
- Executive-Producer – Michael Jackson
- Illustration – Uri Geller
- Mastered By – Bernie Grundman
- Photography By – Albert Watson
Notes
Recorded, Mixed and Mastered with the Exclusive - "Quantum Range Recording Process"
Unbreakable (Track A1):
-Rap originally embodied on "I Can't Stop The Reign" courtesy of Twism and Bad Boy/Arista.
Carlos Santana appears courtesy of Arista Records
Teddy Riley appears courtesy of Virgin Records, America
Brandy appears courtesy of Atlantic Records
The Notorious B.I.G. appears courtesy of Bad Boy Entertainment, Inc./ Arista Records, Inc.
Fats appears courtesy of Darkchild Entertainment
Babyface appears courtesy of Arista Records
Unbreakable (Track A1):
-Rap originally embodied on "I Can't Stop The Reign" courtesy of Twism and Bad Boy/Arista.
Carlos Santana appears courtesy of Arista Records
Teddy Riley appears courtesy of Virgin Records, America
Brandy appears courtesy of Atlantic Records
The Notorious B.I.G. appears courtesy of Bad Boy Entertainment, Inc./ Arista Records, Inc.
Fats appears courtesy of Darkchild Entertainment
Babyface appears courtesy of Arista Records
Barcode and Other Identifiers
- Barcode: 5 099749 517417
- Label Code: LC 00199
- Matrix / Runout (A side runout, etched): 49517410001A1 85181 A
- Matrix / Runout (B side runout, etched): 49517410001B1 85181 B
- Matrix / Runout (C side runout, etched): 49517410001C1 85181 C
- Matrix / Runout (D side runout, etched): 49517410001D1 85181 1D
- Rights Society: ASCAP
- Rights Society: SESAC
- Rights Society: BIEM
- Rights Society: BMI
Other Versions (5 of 183)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Invincible (CD, Album, Stereo, CD-Text) | Epic | 495174 2, EPC 495174 2, 4951742000 | Europe | 2001 | ||
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Recently Edited
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Invincible (2×LP, Album) | Epic | 4951741000, EPC495174 1, 495174 1 | Europe | 2001 | ||
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Recently Edited
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Invincible (Cassette, Album) | Epic | EPC 495174 4, 4951744000, 495174 4 | Europe | 2001 | ||
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Recently Edited
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Invincible (Minidisc, Album) | Epic | 495174 8, EPC 495174 8, 4951748000 | Europe | 2001 | ||
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Recently Edited
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Invincible (CD, Album, Limited Edition, Stereo, Red Artwork) | Epic | 495174 2, EPC 495174 2, 4951742000 | Europe | 2001 |
Recommendations
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1995 EuropeVinyl —LP, Album, Compilation, Remastered -
Reviews
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I’m literally speechless… This album sounds incredible on my Pro-Ject with 2M Blue. This is the one of my best sounding records. The soundstage is huge and the hi-end details just blew my mind! Absolutely worth grabbing. I think this is made from the original 2001 stampers as it has the same runout numbers, as well as the Record Industry ones.
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Edited 4 years agoThis pressing is very close to being excellent, but doesn’t quite hit all the marks. The sound quality is generally very good, but a few songs are sullied by sibilance issues and the sound quality degrades slightly when nearing the end of each side. The LPs are well made, as are the jacket and printed inner sleeves. The jacket is not gatefold, but I assume they were just copying the design of the 2001 release, which was also not gatefold. The artwork is nearly perfect comparing directly to the original, but there is a better color contrast on the original cover. Michael’s digital eye is darker and stands out more vividly on the original. This reissue wins in the heaviness category all around. The vinyl, jacket and inner sleeves are all much heavier than the original’s. As far as comparing sound quality, it was a tough one. Both releases have issues with IGD and sibilance, but, after hot swapping LPs and scrutinizing the flaws, this reissue is overall a more pleasant listen. So, I would recommend spending your money on this MOV reissue over the original 2001 pressing if you are trying to decide between them. But, either version is worth picking up for the right price. Just don’t go spending big bucks expecting a blissful listening experience. Especially if your favorite song is “Break of Dawn”, because, sadly, that song experienced the worst of the sound quality problems. -
This is a night and day difference from the horrid 2018 picture disc release. This one is quiet, dynamic, and sounds incredible overall while the picture disc seems to be mastered completely differently. That one has a flat, muddy sound (on top of your typical picture disc issues with surface noise). This one is well worth grabbing.
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My copy is not good, lots of surface noise, it's very annoying in the soft parts. The album is OK compared to MJ standards of course. Some songs are great, some I don't like, specially the electric and rap ones. But well worth it for the good ones!! I do not recommend the 2009 EU pressing
Release
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Recently Edited
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