India – I Can't Get No Sleep
Label: |
Cutting Records – CR-273 |
|---|---|
Format: |
Vinyl
, 12", 33 ⅓ RPM, Single
|
Country: |
US |
Released: |
|
Genre: |
Hip Hop |
Style: |
Garage House |
Tracklist
| Dope Side A | |||
| A1 | I Can't Get No Sleep (Ken/Lou 12") | 6:42 | |
| A2 | I Can't Get No Sleep (Her Fantasy Mix) | 6:20 | |
| A3 | I Can't Get No Sleep (The Bar Beats) | 4:02 | |
| Madd Side B | |||
| B1 | I Can't Get No Sleep (The Down Low Mix) | 6:09 | |
| B2 | I Can't Get No Sleep (The Down Low Instrumental) | 5:14 |
Companies, etc.
- Published By – Indilu Publishing
- Published By – It's Time Music
- Copyright © – Cutting Records, Inc.
- Phonographic Copyright ℗ – Cutting Records, Inc.
- Produced For – Masters At Work Productions, Inc.
- Produced For – 23 West Productions, Inc.
- Produced For – One Rascal Productions Inc.
- Mastered At – DMS (2)
- Pressed By – Specialty Records Corporation
Credits
- Edited By – Albert Cabrera
- Engineer – Steve Barkan* (tracks: A1 to A3)
- Executive-Producer – Amado & Aldo Marin
- Featuring, Vocals, Arranged By [Vocal Arrangements] – India
- Keyboards [Additional] – Lem Springsteen
- Mastered By – Herb "The Pump" Powers, Jr.*
- Producer, Mixed By – "Little" Louie Vega*
- Written-By – L. Vega*
Notes
From the album release The Album" 2006-2/4/1
Produced & Mixed for Masters At Work Productions, Inc.
Engineered for 23 West Productions, Inc.
Edited for One Rascal Productions, Inc.
Mastered at Hit Factory-D.M.S.
Special Thanks: Danny Morales
Direct Metal Mastering (DMM)
BPM:
A1: 123 | A2: 123 | A3: 123
B1: 100 | B2: 100
Produced & Mixed for Masters At Work Productions, Inc.
Engineered for 23 West Productions, Inc.
Edited for One Rascal Productions, Inc.
Mastered at Hit Factory-D.M.S.
Special Thanks: Danny Morales
Direct Metal Mastering (DMM)
BPM:
A1: 123 | A2: 123 | A3: 123
B1: 100 | B2: 100
Barcode and Other Identifiers
- Barcode (Text): 2876-20273-1
- Barcode (Scanned): 028762027318
- Matrix / Runout (Runout side A): SRC (Large S with the R and C in the loops) CR-273-A-Dmm HF HERbiE JR :v) PS ALICIA + AMANDA SP2-1
- Matrix / Runout (Runout side B): SRC (Large S with the R and C in the loops) HF HERbiE JR :v) CR-273-B1
- Rights Society: BMI
Other Versions (5 of 30)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
I Can't Get No Sleep (12", 33 ⅓ RPM) | UMM | UMM 072 | Italy | 1993 | ||
| I Can't Get No Sleep / All That (12", Limited Edition, 33 ⅓ RPM) | Cutting Records | CR-277, CR 277 | US | 1993 | |||
|
Recently Edited
|
I Can't Get No Sleep (CD, Maxi-Single) | Feel The Rhythm | FTR 3818-2 | 1993 | |||
|
Recently Edited
|
I Can't Get No Sleep (12", 45 RPM, Maxi-Single) | Feel The Rhythm | FTR 3818-6 | 1993 | |||
|
Recently Edited
|
I Can't Get No Sleep (New York Underground Vol. 3) (CD, Maxi-Single) | Ausfahrt | EFA Maxi CD 06318 04, EFA MAXI CD 06318 04 | 1993 |
Recommendations
Reviews
-
Either this samples the release linked below, or vice versa (Same year, no exact dates);
https://www.discogs.sitioby.com/Power-Movement-Feel-It-Pull-It-Higher/release/199132 -
R & B. The Unknown by Little Louie Vega MAW project worked with Kenny Dope. At the time this song had been secretly exchange information between some of the DJ's, great! ! The gritty breakbeats with a good hip MAW "Just the two of us" on track to expand the type code mellow, emotional voice of the Soul diva India has announced a partnership with numerous masterpieces MAW. Gives us great masterpieces together they moved. -
Edited 18 years agoWell, what can we say about it ? Definitely the best MAW track and the best garage tune. Some people wont agree with me but, the style, the construction and the voice of India are so different, so new at this time (early 90's) that make this track fresh and pumpy. I still play it often and everytime it's a souffle of fresh air and nostalgia. I can only recommend all the soulful dj's to have it in their collection. Check also the 95's mixes which are great but not better than the original !
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Edited 19 years agoAnd in came the power of KenLou.
This is one of the classic songs that prbably locked in and solidified Minneapolis love for house music and wailing diva's.
In the middle of proggy house, techno and the lean that Minneapolis was going on with hardcore came dj's like E-Tones who played the tar out of this record always always to wicked response. Along with Dajae; one of many records that helped close the gap between the straight and gay dance music lovers in Minneapolis and brought the two floors together.
Kevin Cole was doing it with his stategic booking of the early Depth Probe events, but without kickass djs playing kickass anthems like this. It wouldn't have been quite so easy to pull off.
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