Stereolab – Sound-Dust
Label: |
Duophonic Ultra High Frequency Disks – D-UHFD27 |
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Format: |
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Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Krautrock |
Tracklist
A1 | Black Ants In Sound Dust | 1:57 | |
A2 | Space Moth | 7:33 | |
A3 | Captain Easychord | 5:25 | |
B1 | Baby Lulu | 5:12 | |
B2 | The Black Arts | 5:11 | |
B3 | Hallucinex | 3:48 | |
C1 | Double Rocker | 5:31 | |
C2 | Gus The Mynahbird | 9:03 | |
C3 | Naught More Terrific Than Man | 4:02 | |
D1 | Nothing To Do With Me | 3:33 | |
D2 | Suggestion Diabolique | 7:52 | |
D3 | Les Bons Bons Des Raisons | 6:43 |
Companies, etc.
- Distributed By – Vital (2)
- Phonographic Copyright ℗ – Duophonic Ultra High Frequency Disks
- Copyright © – Duophonic Ultra High Frequency Disks
- Copyright © – Andrzej Dabrowski
- Made By – Key Production
- Pressed By – MPO
- Published By – Island Music
- Published By – Chris Morris
- Recorded At – Soma Electronic Music Studios
- Mixed At – Soma Electronic Music Studios
- Mastered At – Abbey Road Studios
- Designed At – Intro (11)
Credits
- Arranged By [Brass, Flute] – Sean O'Hagan
- Artwork – Onegin Dabrowski
- Bass [6 String] – Simon Johns
- Design – House*
- Drums – Andy Ramsay
- Electronics, Effects [Tape Echo's, Delays] – Tim Gane
- Engineer – John McEntire (tracks: 1, 2, 4, 6, 7, 9, 11)
- Engineer [Additional] – Jeremy Lemos (tracks: 3, 5, 8, 10, 12)
- Flute, Harmonica [Bass] – Paul Mertens
- Guitar, Acoustic Guitar – Tim Gane
- Harpsichord [Electric], Electric Piano [Rhodes] – Mike Jorgensen*
- Lacquer Cut By – SRZ*
- Mastered By – Steve Rooke
- Mixed By – Stereolab
- Percussion, Whistle, Effects – Mary Hansen
- Piano, Electric Piano [Wurlitzer, Rhodes], Clavinet, Harpsichord [Electric], Keyboards [Rmi Rocksichord, Pianet, Celeste], Organ [Farfisa] – Tim Gane
- Technician [Computer Assistance] – Mike Jorgensen*
- Trombone – Jeb Bishop
- Trumpet – Dave Max Crawford
- Vibraphone, Marimba, Glockenspiel – John McEntire
- Vocals – Mary Hansen
Notes
Directly mastered from the analogue master tapes using an advanced head without digital processes.
Some edits differ from the CD version.
Recorded and mixed at Soma Electronic Music Studio, Chicago, Il., USA, Oct. 2000 - Feb. 2001.
Limited pressing of 1800 copies.
Includes printed inner sleeves.
Some edits differ from the CD version.
Recorded and mixed at Soma Electronic Music Studio, Chicago, Il., USA, Oct. 2000 - Feb. 2001.
Limited pressing of 1800 copies.
Includes printed inner sleeves.
Barcode and Other Identifiers
- Barcode: 5024545157116
- Matrix / Runout (Side A etched runout): MPO D-UHF-D 27 A1 SRZ
- Matrix / Runout (Side B etched runout): MPO D-UHF-D 27 B1 SRZ
- Matrix / Runout (Side C etched runout): MPO D-UHF-D 27 C1 SRZ
- Matrix / Runout (Side D etched runout): MPO D-UHF-D 27 D1 SRZ
Other Versions (5 of 33)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Sound-Dust (CD, Album) | Duophonic Ultra High Frequency Disks | D-UHFCD27 | UK | 2001 | ||
Sound-Dust (CD, Album) | Elektra | 7559-62676-2 | Europe | 2001 | |||
Sound-Dust (2×LP, Album, Deluxe Edition, Limited Edition, Numbered) | Duophonic Ultra High Frequency Disks | D-UHFD27 | UK | 2001 | |||
Recently Edited
|
Sound-Dust (CD, Album, Deluxe Edition, Limited Edition, Hessian Cover Style) | Duophonic Ultra High Frequency Disks | D-UHFCD27 | UK | 2001 | ||
Sound-Dust (CD, Album) | Elektra | 62676-2 | US | 2001 |
Recommendations
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1999 UKLP, Album, Limited Edition
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Reviews
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Edited 6 years agoThis pressing is magnificent. Its mastering is crystal clear and the mid-range, low end heft and airy vocals simply elevate a mastful album by an enduring band.
I am very impressed with this album, and must say it would be a charm if all Stereolab records were treated with such loving analog magic.
This album is the last album to feature Mary Hansen. It is a fitting farewell to the band in the configuration that housed Mary’s sonic blessings within the bands musical fractal.
Release
See all versions
Recently Edited
Recently Edited
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