UNKLEPsyence Fiction

Label:

London Records – 314-540 970-2

Format:

CD , Album

Country:

US

Released:

Genre:

Electronic

Style:

Downtempo

Tracklist

1 Guns Blazing (Drums Of Death Part 1)
Lyrics By, VocalsKool G Rap
Music ByDJ Shadow
Recorded By [Vocals]Kevin Scott
Scratches [Cuts And Skratches]DJ Shadow
Vocals [Additional]Lyrics Born
Written-ByN. Wilson*
5:01
2 UNKLE Main Title Theme
Mixed ByJim Abbiss
Music ByDJ Shadow
Scratches [Cuts And Skratches]DJ Shadow
Written-ByJ. Davis*
3:24
3 Bloodstain
Mixed ByJim Abbiss
Music ByDJ Shadow
Performer [Sample]Be Be K Roche*
Recorded By [Vocals]Jim Abbiss
Scratches [Cuts And Skratches]DJ Shadow
Vocals, Lyrics ByAlice Temple
Written-ByJ. Davis*
5:57
4 Unreal
Mixed ByJim Abbiss
Music ByDJ Shadow
Performer [Sample]The Jules Blattner Group
Written-ByJules Blattner
5:10
5 Lonely Soul
Arranged By [Strings], Conductor [Strings]Wil Malone
Mixed ByJim Abbiss
Music ByDJ Shadow
Recorded By [Vocals]UNKLE
Written-ByW. Malone*
8:56
6 Getting Ahead In The Lucrative Field Of Artist Management
Music By [The Entertainer (Uncredited)]Scott Joplin
0:56
7.1 Nursery Rhyme
Mixed ByJim Abbiss
Music ByDJ Shadow
Recorded By [Vocals]UNKLE
Vocals, Lyrics ByBadly Drawn Boy
Written-ByJ. Davis*
4:45
7.2 Breather
Vocals [Breaths]James Lavelle
8 Celestial Annihilation
Arranged By [Strings], Conductor [Strings]Wil Malone
Mixed ByJim Abbiss
Music By [Additional]DJ Shadow
Scratches [Cuts And Skratches]DJ Shadow
Written-ByW. Malone*
Written-By [Concerto For Strings And Beats]Wil Malone
4:44
9 The Knock (Drums Of Death Part 2)
Bass, ThereminJason Newstead*
Mixed ByJim Abbiss
Music ByDJ Shadow
Scratches [Cuts And Skratches]DJ Shadow
Vocals, Lyrics ByMike D
Written-ByM. Diamond*
3:58
10 Chaos
Mixed ByJim Abbiss
Music ByAtlantique (2)
Producer [Additional]DJ Shadow
Vocals, Lyrics ByAtlantique (2)
Written-ByA. Khan*
4:42
11 Rabbit In Your Headlights
Bass, SynthesizerThom Yorke
Mixed ByJim Abbiss
Music ByDJ Shadow
Recorded By [Vocals]UNKLE
Vocals, Lyrics ByThom Yorke
Written-ByT. Yorke*
6:20
12 Outro (Mandatory) 1:06

Companies, etc.

  • Recorded AtCTS Studios
  • Recorded AtMilo Studios
  • Recorded AtRecord Plant, Los Angeles
  • Recorded AtThe Site
  • Recorded AtStrongroom
  • Mixed AtMatrix Studios
  • Mixed AtMetropolis Studios
  • Mixed AtRAK Studios
  • Mixed AtRecord Plant, Los Angeles
  • Mixed AtStrongroom
  • Licensed FromBMG Special Products, Inc.
  • Manufactured ByPolyGram Records, Inc.
  • Distributed ByPolyGram Records, Inc.
  • Marketed ByPolyGram Records, Inc.
  • Phonographic Copyright ℗Mo Wax Recordings
  • Copyright ©Mo Wax Recordings
  • Phonographic Copyright ℗A&M Records Ltd.
  • Copyright ©A&M Records Ltd.
  • Pressed ByPMDC, USA

Credits

  • Artwork [Character Wire-Frames, Assistant]David Murray (9)
  • Artwork [Character Wire-Frames]Derek Waters
  • Artwork [Cover Image, Paintings, And All Characters]Futura 2000
  • Artwork [Custom Grids]Tim Drury
  • Design [Sleeve, Assisted By]Andy Holmes (2)
  • Design [Sleeve]Ben Drury
  • Mixed ByJim Abbiss
  • Photography ByWilliam Bankhead*
  • Photography By [Assistant]Ali Peck
  • Photography By [Mike D, Reshot By]William Bankhead*
  • Photography By [Mike D]Ryan Murphy (6)
  • ProducerUNKLE

Notes

Note, this is the PMDC pressing, for the UML see: UNKLE - Psyence Fiction

Track 3 contains a sample from "Alone" as performed by Be Be K Roche, courtesy of Olivia Records, Inc.

Track 4 "How Do You Feel?" sample from "Birth" performed by The Jules Blattner Group under license from BMG Special Products Inc.

Track 6 is the audio from a 1970s toy commercial.

Track 8 based on the composition "Concerto for Strings and Beats" written by Wil Malone.

Track 1 & 7 mixed and track 7 vocals recorded at The Record Plant (Hollywood, CA, USA).
Track 1 & 11 vocals recorded at The Site (San Rafael, CA, USA).
Track 2, 5, 8 & 9 mixed at Metropolis (London, UK).
Track 3 & 10 mixed at Rak Studios (London, UK).
Track 3 vocals recorded and track 11 mixed at The Strongroom (London, UK).
Track 4 mixed at Matrix (London, UK).
Track 5 vocals recorded at Milo (London, UK).
Track 5 & 8 strings at CTS Studio (London, UK).

Track 12 is not listed on the jacket, but is listed unnumbered in the booklet.

Gatefold sleeve with six page booklet.

Catalog No. 314-540 970-2 is located on the CD Label.

℗© 1998 Mo Wax Recordings/A&M Records Ltd. London
Manufactured and Marketed by PolyGram Records, Inc. New York, New York
Made in the USA
Printed In The USA

Barcode and Other Identifiers

  • Barcode (Text): 7 314-540-970-2 4
  • Barcode (Scanned): 731454097024
  • Matrix / Runout (Variant 1): 314 540 9702 020 C MADE IN USA BY PMDC
  • Mastering SID Code (Variant 1): IFPI L006
  • Mould SID Code (Variant 1): IFPI 0375
  • Matrix / Runout (Variant 2): 314 540 9702 02@ B MADE IN USA BY PMDC
  • Mastering SID Code (Variant 2): IFPI L006
  • Mould SID Code (Variant 2): IFPI 0371
  • Matrix / Runout (Variant 3): 314 540 9702 02@ I
  • Mastering SID Code (Variant 3): IFPI L006
  • Mould SID Code (Variant 3): IFPI 0371
  • Other (Variant 3, Stamped inner mould): MADE IN USA BY PMDC
  • ISRC (Track 1): GB-AHQ-98-00044
  • ISRC (Track 2): GB-AHQ-98-00050
  • ISRC (Track 3): GB-AHQ-98-00052
  • ISRC (Track 4): GB-AHQ-98-00047
  • ISRC (Track 5): GB-AHQ-98-00053
  • ISRC (Track 6): GB-AHQ-98-00054
  • ISRC (Track 7): GB-AHQ-98-00051
  • ISRC (Track 8): GB-AHQ-98-00056
  • ISRC (Track 9): GB-AHQ-98-00055
  • ISRC (Track 10): GB-AHQ-98-00057
  • ISRC (Track 11): GB-AHQ-98-00046
  • ISRC (Track 12): GB-AHQ-98-00061
  • Matrix / Runout (Variant 4): 314 540 9702 02@ D MADE IN USA BY PMDC
  • Mould SID Code (Variant 4): IFPI 0388
  • Mastering SID Code (Variant 4): IFPI L006
  • Matrix / Runout (Variant 5): 314 540 9702 02@ G
  • Matrix / Runout (Variant 5, Stamped inner mould): MADE IN USA BY PMDC
  • Mastering SID Code (Variant 5): IFPI L006
  • Mould SID Code (Variant 5): IFPI 0388
  • Matrix / Runout (Variant 6): 314 540 9702 02@ I
  • Matrix / Runout (Variant 6, Stamped inner mould): MADE IN USA BY PMDC
  • Mastering SID Code (Variant 6): IFPI L006
  • Mould SID Code (Variant 6): IFPI 0387

Other Versions (5 of 49)

View All
Title (Format) Label Cat# Country Year
Psyence Fiction (2×LP, Album) Mo Wax MW085 UK 1998
Psyence Fiction (CD, Album, Limited Edition) Mo Wax MW085 CDS, MW085CDS UK 1998
Needs Changes
Psyence Fiction (CD, Album) A&M Records MW085CDX, 541 048-2 UK 1998
Recently Edited
Psyence Fiction (CD, Album, Digisleeve) Mo Wax MW085CD UK 1998
Recently Edited
Psyence Fiction (CD, Album, Limited Edition) Mo Wax 540-999-2 Australasia 1998

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Reviews

  • BigBeat25's avatar
    BigBeat25
    Edited 2 years ago
    Featuring several hall-of-fame guests from different horizons is not usually an easy task and often leaves something to be desired musically. But the result is very, very solid here. DJ Shadow's industrial, grunge-ish touch is instantly recognizable and the "UNKLE Main Title Theme"/"Bloodstain"/"Unreal" suite is like an extended experience of "Endtroducing...".

    The album begins with a sample taken from the"NASA, The 25th Year" documentary released in 1983. We hear what could be close to a buzzing spacecraft, like a Nostromo from the 1979 film "Alien" where the beeps of computers would recall the console that lights up in order to extricate Ripley and co. from their cryogenization. It then transitions to hip-hop that will continue in the second "drums of death" part "The Knock" featuring Beastie's Mike D.

    I'm personally not a big fan of Radiohead, but I particularly appreciate Thom Yorke's vocal performance in "Rabbit In Your Headlights". Him combined with the pianos and orchestral elements give me "Everything In Its Right Place" vibes. Maybe this was an inspiration for the said opening track of "Kid A".
    If you're looking for more "classic" rock riffs, "Nursery Rhyme" does the job. The energetic, yet lightly muffled guitars combined with the vocals makes me think of Sex Pistols or similar punk rock acts.
    As for "Chaos", I really thought the vocals belonged to Hope Sandoval at the first listening. It's ironically the least chaotic song in the middle of those drums, guitars and scratches.
    Also, the skit "Getting Ahead In The Lucrative Field Of Artist Management" samples an ad from 1976 promoting a game called "Ballbusters", where the "Outro" replays the beginning sample of "Guns Blazing". The circle is complete.

    My biggest surprise, however, and arguably the most cacthy song is "Lonely Soul". It borrows as much from classical music as from the most astral and tortured trip hop: guttural bass, nebulous drums, sparkling synth notes. Everything oozes poetry, fear and despair.
    And suddenly, after five minutes, the violin kicks in. The listener's frozen expectation turns into orgasmic pain: Richard Ashcroft's fragile and gnawed singing is extinguished in a heart-rending last cry, while improbable firework samples tear apart the musical space reduced to the bass, which is increasingly obscure. Then the Grail, sun coming from the sky through a crescendo of epic and anguishing symphonic music.
    Rob Dougan is the first comparison that I will choose for this pearl.

    UNKLE, and especially "Psyence Fiction" may not be as known as Archive, Portishead or Massive Attack (especially now and outside the UK/US), but certainly not least recommended.
    • rorymc99's avatar
      rorymc99
      I had no idea that this got a mixed response when it came out. I love this album and think it's a classic. Not much of a fan of the later UNKLE output but Psyence Fiction is a great album IMO.
      • robcypher's avatar
        robcypher
        It's an okay mixtape; could've been somewhat better though given its artist roster and the hype it received at the time. Worth a listen, though.
        • jiggawhat's avatar
          jiggawhat
          Edited 12 years ago
          I hate Nursery Rhyme - Breather. Why the hell did Lavelle & co. stick that track on this otherwise good album? My main beef in general is too many vocals. I was hoping for more instrumental hip-hop. It's still pretty good - but it has nothing on Entroducing. This is definitely a level below in quality. I'm not a fan of the rock influence, wherever it exists. On the other hand, I love the classical influence. Overrated quite a bit. I was expecting more.
          • bolle88's avatar
            bolle88
            Edited 19 years ago
            "Psyence fiction" is DJ Shadow's and James Lavelle's endlessly deep, psychadelic and subtle trip into space... nothingness!
            There's nothing comparable to this which makes is the best trip hop album ever made in my opinion. A record I will never give up listening to!
            • anthrax7
              Edited 20 years ago
              A great UNKLE album, harbouring the best of UNKLES abilities. Such original production could only occur with producers such as James Lavelle and DJ shadow. UNKLE, starting with Psyence Fiction, are the most original and skilled producers I have heard to date. Contending with even the highest ranked DJS, their mixing skills are nothing to be laughed at either, with sets such as the Boredom Reborn set to their credit.

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              • Avg Rating:4.26 / 5
              • Ratings:290

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