Pink FloydThe Division Bell

Label:

EMI United Kingdom – CD EMD 1055

Format:

CD , Album

Country:

Europe

Released:

Genre:

Rock

Style:

Arena Rock

Tracklist

1 Cluster One
Music ByWright*
5:58
2 What Do You Want From Me
Lyrics BySamson*
Music ByWright*
4:21
3 Poles Apart
Lyrics BySamson*
Music ByGilmour*
7:04
4 Marooned
Music ByWright*
5:28
5 A Great Day For Freedom
Lyrics BySamson*
Music ByGilmour*
4:18
6 Wearing The Inside Out
Lyrics ByMoore*
Music ByWright*
6:48
7 Take It Back
Lyrics BySamson*
Music ByGilmour*
6:12
8 Coming Back To Life
Music By, Lyrics ByGilmour*
6:19
9 Keep Talking
Lyrics BySamson*
Music ByWright*
6:11
10 Lost For Words
Lyrics BySamson*
Music ByGilmour*
6:14
11 High Hopes
Lyrics BySamson*
Music ByGilmour*
8:31

Companies, etc.

  • Licensed ToEMI Records Ltd.
  • Marketed ByEMI
  • Distributed ByEMI
  • Phonographic Copyright ℗Pink Floyd Music (1987) Ltd.
  • Copyright ©Pink Floyd Music (1987) Ltd.
  • Copyright ©Pink Floyd Music Publishers Inc.
  • Recorded AtAstoria (2)
  • Recorded AtBritannia Row Studios
  • Recorded AtAbbey Road Studios
  • Recorded AtMetropolis Studios
  • Recorded AtThe Creek Recording Studios
  • Mastered AtThe Mastering Lab
  • Manufactured ByEMI Uden
  • Pressed ByEMI Uden
  • Glass Mastered AtCDP Berlin

Credits

  • Arranged By [Orchestra]Michael Kamen
  • Artwork [From Drawings]Keith Breeden
  • Artwork [Sculptures]John Robertson (5)
  • Backing VocalsSam Brown
  • BassGuy Pratt
  • Design [Cover Design]Storm Thorgerson
  • Drums, PercussionNick Mason
  • Engineer [Assistant At Astoria]Jules Bowen
  • Engineer [Recording And Mixing]Andrew Jackson*
  • Engineer [The Creek Recording Studios]Keith Grant
  • GraphicsPeter Curzon
  • Guitar [Guitars]Tim Renwick
  • Guitar [Guitars], Vocals, Bass, Keyboards, Programmed By [Programming]David Gilmour
  • IllustrationSally Norris
  • Keyboards, PercussionBob Ezrin
  • Keyboards, VocalsRichard Wright
  • ManagementSteve O'Rourke (2)
  • Mastered ByJames Guthrie
  • Mixed ByDavid Gilmour
  • Noises [Earth Noises]G William Forgey*
  • Orchestrated By [Orchestrations]Michael Kamen
  • Percussion, Drum Programming [Percussion]Gary Wallis
  • Photography ByTony May (4)
  • ProducerDavid Gilmour
  • Programmed By [Programming], Keyboards [Additional]Jon Carin
  • Recorded By [Orchestra]Steve McLaughlin*
  • Technician [Drum Technician]Clive Brooks
  • Technician [General Technical And Musical Instrument Supervision]Phil Taylor (5)
  • Tenor SaxophoneDick Parry

Notes

Standard jewel case with 24-page booklet with photos, credits and texts.

[Back]
Printed in U.K.
℗ 1994 The copyright in this sound recording is owned by Pink Floyd Music (1987) Ltd, under exclusive license to EMI Records Ltd © 1994 Pink Floyd Music (1987) Ltd

[Booklet]
Recorded at Astoria recording studio, London
Brittania Row recording studios
Abbey Road recording studios
Metropolis studios
The Greek recording studios
Mixing assisted by the EFOST monitoring system.

With thanks to:
Stephen Hawking

rear inlay, below UPC:

All lyrics © 1994 Pink Floyd Music Publishers Inc (BMI)

[CD]
℗ 1994 The copyright in this sound recording is owned by Pink Floyd Music (1987) Ltd. under exclusive licence to EMI Records Ltd. © 1994 Pink Floyd Music (1987) Ltd. Made in Holland.

This concerns the version without the braille on the CD tray. A version with the braille on the CD tray exists: The Division Bell

Barcode and Other Identifiers

  • Barcode (Text ): 7 24382 89842 9
  • Barcode (Scanned): 724382898429
  • Label Code: LC 0542
  • Rights Society: BIEM/STEMRA
  • Rights Society: BMI
  • Price Code (I): 072
  • Price Code (F): PM 518
  • Matrix / Runout (Variant 1): CDP 828984 2 2 | 1-1-25-NL
  • Matrix / Runout (Variant 2): CDP 828984 2 2 | 2-2-26-NL
  • Matrix / Runout (Variant 3): CDP 828984 2 2 | 2-1-14-NL
  • Matrix / Runout (Variant 4): CDP 828984 2 .2 . 2-1-10-NL
  • Matrix / Runout (Variant 5): CDP 828984 2 .2 | 1-1-19-NL
  • Matrix / Runout (Variant 6): CDP 828984 2 .1 . 1-2-4-NL
  • Matrix / Runout (Variant 7): CDP 828984 2 .2 . 2-2-5-N
  • Matrix / Runout (Variant 8): CDP 828984 2 .1 . 1-2-18-NL
  • Matrix / Runout (Variant 9): CDP 828984 2 .2 . 2-2-14-NL
  • Matrix / Runout (Variant 10): CDP 828984 2 .2 . 2-1-3-NL
  • Matrix / Runout (Variant 12): CDP 828984 2 .4 . 3-1-10-NL
  • Matrix / Runout (Variant 13): CDP 828984 2 .1 . 1-2-5-NL
  • Matrix / Runout (Variant 14): CDP 828984 2 .1 . 1-2-15-NL
  • Matrix / Runout (Variant 16): CDP 828984 2 .1 . 1-1-9-NL
  • Matrix / Runout (Variant 17): CDP 828984 2 . 2 1-1-27-NL
  • Matrix / Runout (Variant 18): CDP 828984 2 . 2 2-2-12-NL
  • Matrix / Runout (Variant 19): CDP 828984 2 .1 2-1-20-NL
  • Matrix / Runout (Variant 20): CDP 828984 2 .1 2-1-19-NL
  • Matrix / Runout (Variant 21): CDP 828984 2 .1 . 1-1-14-NL
  • Matrix / Runout (Variant 22): CDP 828984 2 . 2 2-2-23-NL
  • Matrix / Runout (Variant 23): CDP 828984 2 .1 2-1-17-NL
  • Matrix / Runout (Variant 24): CDP 828984 2 .1 2-1-26-NL

Other Versions (5 of 283)

View All
Title (Format) Label Cat# Country Year
Recently Edited
The Division Bell (CD, Album) EMI United Kingdom CDEMD 1055, 7243 8 28984 2 9 Europe 1994
Recently Edited
The Division Bell (CD, Album, Stereo) Columbia CK 64200 US 1994
Recently Edited
The Division Bell (Cassette, Album) Sony Music 476581 4 UK 1994
Recently Edited
The Division Bell (Cassette, Album) EMI United Kingdom 7243 8 28984 4 3, TC EMD 1055, TCEMD 1055 UK 1994
The Division Bell (CD, Album) EMI United Kingdom 7243 8 28984 2 9, CD EMD 1055 UK & Europe 1994

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Reviews

  • renegadeviking's avatar
    renegadeviking
    Those of us who are waay into Pink Floyd have a favorite album that we will defend as the BEST ever (for many Dark Side of the Moon) and we will travel whereever we have to go to see them play live. As a P.F. fanatic, I have to say that the promotional tour gig for The Division Bell in Phoenix, Az in 1994 was the most knockout Pink Floyd concert ever.
    They were just killin' us with new songs from this album. From the moment they stepped on stage they put the pedal to the metal and never let up the intensity and the thrills which kept us on our feet screaming for hours. Then, they treated us to a stunning array of their earlier songs as well and never sounded better. They locked in our devotion and no one cared when P.F. tossed away the key.
    That April night in the desert was very cold, and the moon was full. We stood shivvering in summer clothes until they started to play and the energy levels ratcheted up 'til we were sweating. Then they tripped us out with an awesome array of effects including smoke and lights pulsing to the music; a large overhead TV screen showing a mishmash of totally wierd images; and those outrageous enormous plastic pigs that popped out of chutes on either side of the stage.
    Then they brought out the dazzling, colossal mirror ball that opened like a lotus and shot splinters of light that painted the sky, each other and everywhere. We were blissed out while the music blasted us into whole new levels of experiencing both sight and sound. We were glassy eyed and high from each other's energy hours later as we finally stumbled from the arena at concert's end with ears buzzing while trying to sing "wearing the inside out" and gripping the tour tee shirts and posters of the album cover's two talking heads. It was wild.
    David, Rick and Nick were HOT that night. David electrified the audience with such dazzling guitar work that we were breathless from screaming. It is probably true that nothing can replace the intensity of that live concert, but The Division Bell studio album is a wonderful way to dial in the memories and be there again. Yet, to P.F. heads it really doesn't matter, we'll make it happen whatever way we can.
    Like other reviewers have noted, The Division Bell is about communication. The magic of music is communication, isn't it? "What do you want from me", "Keep Talking",and "Lost for Words" tells their story of anger, pain, and great loss that still simmers in their feelings after Roger walked. The band let us know that it has not been easy to have lost such a gifted musician. I think the lyrics are eloquently understated and brilliant. Does one really need a hammer to get the point?
    Those who have seen P.F. live KNOW how cooked the band is and this is why we are still so fanatical about this group. Yes, we may miss Roger, but the Division Bell has its own power and it is still Pink Floyd to the MAX. Many of us will continue to clamor for more from this band - probably until the end of time. While we wait, we always have their albums. Rumor has it that there is a new one on the way. Perhaps it is wishful thinking, but for this music lover, The Division Bell is a new classic Pink Floyd, and that's alright with me

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