Pink Floyd – The Division Bell
Label: |
EMI United Kingdom – CD EMD 1055 |
---|---|
Format: |
CD
, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Arena Rock |
Tracklist
1 | Cluster One | 5:58 | |
2 | What Do You Want From Me | 4:21 | |
3 | Poles Apart | 7:04 | |
4 | Marooned | 5:28 | |
5 | A Great Day For Freedom | 4:18 | |
6 | Wearing The Inside Out | 6:48 | |
7 | Take It Back | 6:12 | |
8 | Coming Back To Life | 6:19 | |
9 | Keep Talking | 6:11 | |
10 | Lost For Words | 6:14 | |
11 | High Hopes | 8:31 |
Companies, etc.
- Licensed To – EMI Records Ltd.
- Marketed By – EMI
- Distributed By – EMI
- Phonographic Copyright ℗ – Pink Floyd Music (1987) Ltd.
- Copyright © – Pink Floyd Music (1987) Ltd.
- Copyright © – Pink Floyd Music Publishers Inc.
- Recorded At – Astoria (2)
- Recorded At – Britannia Row Studios
- Recorded At – Abbey Road Studios
- Recorded At – Metropolis Studios
- Recorded At – The Creek Recording Studios
- Mastered At – The Mastering Lab
- Manufactured By – EMI Uden
- Pressed By – EMI Uden
- Glass Mastered At – CDP Berlin
Credits
- Arranged By [Orchestra] – Michael Kamen
- Artwork [From Drawings] – Keith Breeden
- Artwork [Sculptures] – John Robertson (5)
- Backing Vocals – Sam Brown
- Bass – Guy Pratt
- Design [Cover Design] – Storm Thorgerson
- Drums, Percussion – Nick Mason
- Engineer [Assistant At Astoria] – Jules Bowen
- Engineer [Recording And Mixing] – Andrew Jackson*
- Engineer [The Creek Recording Studios] – Keith Grant
- Graphics – Peter Curzon
- Guitar [Guitars] – Tim Renwick
- Guitar [Guitars], Vocals, Bass, Keyboards, Programmed By [Programming] – David Gilmour
- Illustration – Sally Norris
- Keyboards, Percussion – Bob Ezrin
- Keyboards, Vocals – Richard Wright
- Management – Steve O'Rourke (2)
- Mastered By – James Guthrie
- Mixed By – David Gilmour
- Noises [Earth Noises] – G William Forgey*
- Orchestrated By [Orchestrations] – Michael Kamen
- Percussion, Drum Programming [Percussion] – Gary Wallis
- Photography By – Tony May (4)
- Producer – David Gilmour
- Programmed By [Programming], Keyboards [Additional] – Jon Carin
- Recorded By [Orchestra] – Steve McLaughlin*
- Technician [Drum Technician] – Clive Brooks
- Technician [General Technical And Musical Instrument Supervision] – Phil Taylor (5)
- Tenor Saxophone – Dick Parry
Notes
Standard jewel case with 24-page booklet with photos, credits and texts.
[Back]
Printed in U.K.
℗ 1994 The copyright in this sound recording is owned by Pink Floyd Music (1987) Ltd, under exclusive license to EMI Records Ltd © 1994 Pink Floyd Music (1987) Ltd
[Booklet]
Recorded at Astoria recording studio, London
Brittania Row recording studios
Abbey Road recording studios
Metropolis studios
The Greek recording studios
Mixing assisted by the EFOST monitoring system.
With thanks to:
Stephen Hawking
rear inlay, below UPC:
All lyrics © 1994 Pink Floyd Music Publishers Inc (BMI)
[CD]
℗ 1994 The copyright in this sound recording is owned by Pink Floyd Music (1987) Ltd. under exclusive licence to EMI Records Ltd. © 1994 Pink Floyd Music (1987) Ltd. Made in Holland.
This concerns the version without the braille on the CD tray. A version with the braille on the CD tray exists: The Division Bell
[Back]
Printed in U.K.
℗ 1994 The copyright in this sound recording is owned by Pink Floyd Music (1987) Ltd, under exclusive license to EMI Records Ltd © 1994 Pink Floyd Music (1987) Ltd
[Booklet]
Recorded at Astoria recording studio, London
Brittania Row recording studios
Abbey Road recording studios
Metropolis studios
The Greek recording studios
Mixing assisted by the EFOST monitoring system.
With thanks to:
Stephen Hawking
rear inlay, below UPC:
All lyrics © 1994 Pink Floyd Music Publishers Inc (BMI)
[CD]
℗ 1994 The copyright in this sound recording is owned by Pink Floyd Music (1987) Ltd. under exclusive licence to EMI Records Ltd. © 1994 Pink Floyd Music (1987) Ltd. Made in Holland.
This concerns the version without the braille on the CD tray. A version with the braille on the CD tray exists: The Division Bell
Barcode and Other Identifiers
- Barcode (Text ): 7 24382 89842 9
- Barcode (Scanned): 724382898429
- Label Code: LC 0542
- Rights Society: BIEM/STEMRA
- Rights Society: BMI
- Price Code (I): 072
- Price Code (F): PM 518
- Matrix / Runout (Variant 1): CDP 828984 2 2 | 1-1-25-NL
- Matrix / Runout (Variant 2): CDP 828984 2 2 | 2-2-26-NL
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- Matrix / Runout (Variant 24): CDP 828984 2 .1 2-1-26-NL
Other Versions (5 of 283)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
The Division Bell (CD, Album) | EMI United Kingdom | CDEMD 1055, 7243 8 28984 2 9 | Europe | 1994 | ||
Recently Edited
|
The Division Bell (CD, Album, Stereo) | Columbia | CK 64200 | US | 1994 | ||
Recently Edited
|
The Division Bell (Cassette, Album) | Sony Music | 476581 4 | UK | 1994 | ||
Recently Edited
|
The Division Bell (Cassette, Album) | EMI United Kingdom | 7243 8 28984 4 3, TC EMD 1055, TCEMD 1055 | UK | 1994 | ||
The Division Bell (CD, Album) | EMI United Kingdom | 7243 8 28984 2 9, CD EMD 1055 | UK & Europe | 1994 |
Recommendations
Reviews
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Those of us who are waay into Pink Floyd have a favorite album that we will defend as the BEST ever (for many Dark Side of the Moon) and we will travel whereever we have to go to see them play live. As a P.F. fanatic, I have to say that the promotional tour gig for The Division Bell in Phoenix, Az in 1994 was the most knockout Pink Floyd concert ever.
They were just killin' us with new songs from this album. From the moment they stepped on stage they put the pedal to the metal and never let up the intensity and the thrills which kept us on our feet screaming for hours. Then, they treated us to a stunning array of their earlier songs as well and never sounded better. They locked in our devotion and no one cared when P.F. tossed away the key.
That April night in the desert was very cold, and the moon was full. We stood shivvering in summer clothes until they started to play and the energy levels ratcheted up 'til we were sweating. Then they tripped us out with an awesome array of effects including smoke and lights pulsing to the music; a large overhead TV screen showing a mishmash of totally wierd images; and those outrageous enormous plastic pigs that popped out of chutes on either side of the stage.
Then they brought out the dazzling, colossal mirror ball that opened like a lotus and shot splinters of light that painted the sky, each other and everywhere. We were blissed out while the music blasted us into whole new levels of experiencing both sight and sound. We were glassy eyed and high from each other's energy hours later as we finally stumbled from the arena at concert's end with ears buzzing while trying to sing "wearing the inside out" and gripping the tour tee shirts and posters of the album cover's two talking heads. It was wild.
David, Rick and Nick were HOT that night. David electrified the audience with such dazzling guitar work that we were breathless from screaming. It is probably true that nothing can replace the intensity of that live concert, but The Division Bell studio album is a wonderful way to dial in the memories and be there again. Yet, to P.F. heads it really doesn't matter, we'll make it happen whatever way we can.
Like other reviewers have noted, The Division Bell is about communication. The magic of music is communication, isn't it? "What do you want from me", "Keep Talking",and "Lost for Words" tells their story of anger, pain, and great loss that still simmers in their feelings after Roger walked. The band let us know that it has not been easy to have lost such a gifted musician. I think the lyrics are eloquently understated and brilliant. Does one really need a hammer to get the point?
Those who have seen P.F. live KNOW how cooked the band is and this is why we are still so fanatical about this group. Yes, we may miss Roger, but the Division Bell has its own power and it is still Pink Floyd to the MAX. Many of us will continue to clamor for more from this band - probably until the end of time. While we wait, we always have their albums. Rumor has it that there is a new one on the way. Perhaps it is wishful thinking, but for this music lover, The Division Bell is a new classic Pink Floyd, and that's alright with me
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