The Cure – Disintegration
Label: |
Elektra – 9 60855-2 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Pop |
Style: |
Indie Rock |
Tracklist
1 | Plainsong | 5:12 | |
2 | Pictures Of You | 7:24 | |
3 | Closedown | 4:16 | |
4 | Love Song | 3:28 | |
5 | Last Dance | 4:42 | |
6 | Lullaby | 4:08 | |
7 | Fascination Street | 5:16 | |
8 | Prayers For Rain | 6:04 | |
9 | The Same Deep Water As You | 9:18 | |
10 | Disintegration | 8:18 | |
11 | Homesick | 7:06 | |
12 | Untitled | 6:30 |
Companies, etc.
- Record Company – Warner Communications
- Record Company – Warner Communications Inc.
- Phonographic Copyright ℗ – Elektra/Asylum Records
- Copyright © – Elektra/Asylum Records
- Published By – APB Music Co. Ltd.
- Published By – Bleu Disque Music Co., Inc.
- Published By – Wb Music Corp.
- Recorded At – Outside Studios
- Mixed At – RAK Studio Three
- Made By – WEA Manufacturing Inc.
- Glass Mastered At – Specialty Records Corporation
Credits
- Artwork [Art] – Parched Art
- Bass, Keyboards – Simon Gallup
- Drums – Boris Williams
- Engineer [Assistant At Outside] – Richard Sullivan
- Engineer [Assistant At Rak] – Roy Spong
- Guitar – Porl Thompson
- Instruments [Other] – Laurence Tolhurst
- Keyboards – Roger O'Donnell
- Music By – Gallup*
- Producer [Produced By], Engineer [Engineered By] – Robert Smith
- Songwriter [All Songs Written By] – Gallup*
- Voice, Guitar, Keyboards – Robert Smith
- Words By – Robert Smith
Notes
[Insert]
Recorded at Outside Studios, Berkshire.
Mixed at Rak Studio Three, London.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
[CD]
℗ © 1989 Elektra/Asylum Records
Printed in U.S.A.
Made In U.S.A. By WEA Manufacturing Inc.
Released in jewel case with 4 fold-out poster lyric insert & picture back tray.
Tracks 5 "Last Dance" & 11 "Homesick" are denoted as bonus tracks.
Catalog numbers:
60855-2 on CD and insert.
9 60855-2 on spine.
This release made by Specialty Records Corporation (SRC).
The Mother/Stamper (M#S#) part of the matrix is inscribed mechanically.
Another version was pressed by Allied Record Company (ARC) from the same SRC glass-master.
Also exists made by Disctronics H with "Made In U.S.A. By Disctronics Inc." printed on CD.
Recorded at Outside Studios, Berkshire.
Mixed at Rak Studio Three, London.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
[CD]
℗ © 1989 Elektra/Asylum Records
Printed in U.S.A.
Made In U.S.A. By WEA Manufacturing Inc.
Released in jewel case with 4 fold-out poster lyric insert & picture back tray.
Tracks 5 "Last Dance" & 11 "Homesick" are denoted as bonus tracks.
Catalog numbers:
60855-2 on CD and insert.
9 60855-2 on spine.
This release made by Specialty Records Corporation (SRC).
The Mother/Stamper (M#S#) part of the matrix is inscribed mechanically.
Another version was pressed by Allied Record Company (ARC) from the same SRC glass-master.
Also exists made by Disctronics H with "Made In U.S.A. By Disctronics Inc." printed on CD.
Barcode and Other Identifiers
- Barcode (Text): 0 7559-60855-2 6
- Barcode (Scanned): 075596085526
- Rights Society: ASCAP
- Rights Society: PRS
- SPARS Code: AAD
- Matrix / Runout (Variant 1): 2 60855-2 SRC-01 M1 S13
- Matrix / Runout (Variant 2): 2 60855-2 SRC-01 M1 S7
- Matrix / Runout (Variant 3): 2 60855-2 SRC-01 M1 S4
- Matrix / Runout (Variant 4): 2 60855-2 SRC=17 M3S9
- Matrix / Runout (Variant 5): 2 60855-2 SRC=17 M2S15
- Matrix / Runout (Variant 6): 2 60855-2 SRC=07 M1-S8
- Matrix / Runout (Variant 7): 2 60855-2 SRC+05 M2 S4
- Matrix / Runout (Variant 8): 2 60855-2 SRC-04 M1 S2
- Matrix / Runout (Variant 9): 2 60855-2 SRC=17 M2S8
- Matrix / Runout (Variant 10): 2 60855-2 SRC-01 M1 S12
- Matrix / Runout (Variant 11): 2 60855-2 SRC=16 M7S19
- Matrix / Runout (Variant 12): 2 60855-2 SRC=17 M3S1
- Matrix / Runout (Variant 13): 2 60855-2 SRC=17 M3S5
- Matrix / Runout (Variant 14): 2 60855-2 SRC=07 M5S1
- Matrix / Runout (Variant 15): 2 60855-2 SRC=17 M1S8
- Matrix / Runout (Variant 16): 2 60855-2 SRC+05 *M3 S5
- Matrix / Runout (Variant 17): 2 60855-2 SRC-01 M1-S2
- Matrix / Runout (Variant 18): 2 60855-2 SRC+05 M5 S1
- Matrix / Runout (Variant 19): 2 60855-2 SRC-01 M1 S14
- Matrix / Runout (Variant 20): 2 60855-2 SRC=17 M2S10
- Matrix / Runout (Variant 21): 2 60855-2 SRC=07 M6 M4
- Matrix / Runout (Variant 22): 2 60855-2 SRC+05 M4 S3
- Matrix / Runout (Variant 23): 2 60855-2 SRC=17 M3S2
- Matrix / Runout (Variant 24): 2 60855-2 SRC=07 M1 S1
- Matrix / Runout (Variant 25): 2 60855-2 SRC=15 M3S22
- Matrix / Runout (Variant 26): 2 60855-2 SRC=07 M1-S6
Other Versions (5 of 239)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Disintegration (CD, Album) | Fiction Records | 839 353-2 | Europe | 1989 | |||
Recently Edited
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Disintegration (Cassette, Album, |||O|||, SR, Dolby HX Pro) | Elektra | 60855-4, 9 60855-4 | US | 1989 | ||
Recently Edited
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Disintegration (LP, Album) | Fiction Records | FIXH 14, 839 353-1 | UK | 1989 | ||
Recently Edited
|
Disintegration (LP, Album, Stereo) | Fiction Records | 220868, 839 353-1, FIXH 14 | Yugoslavia | 1989 | ||
Recently Edited
|
Disintegration (LP, Album) | Fiction Records | 600152-1 | Australia | 1989 |
Recommendations
Reviews
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This sounds much better than the 2020 deluxe edition which sounds horrible. This sounds much clearer than the muffled mess that the deluxe edition is
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I had this CD new in long box, back in the day. I recorded it on a Sony UX-Pro 90 mins cassette (CrO2) to carry on my aiwa walkman (as CDs were pricey I used to do this all the time--this made my collection arrived safe almost 40 years later to 2022 with very few lost or broken cds). Somehow I got used to listen to the bright mids and highs of the music in that tape, but, every once in a while, I listened to the CD in full speakers volume in a medium sized room (10' x 10') and the music sounded flat, suffocated, no highs (hit-hats, cymbals, sharp guitars, etc.) or the bass boost that I got through the walkman's headphones... and I noticed this has continued on later mp3 files I've made from this same CD which I still own. I used to pick the cd single versions of 'Lovesong', 'Pictures', 'Street' and 'Lullaby' whenever I needed to do mixtapes with This album songs: they sounded 'brighter', 'cleaner' don't know how to explain: probably was the single Mix they did for those to sound attractive for radio listeners? how it would've sounded if the album was mixed like those songs?...any of you have experienced something like this? In the other hand, ANY format of the 'Entreat' live album sounds AMAZING.
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Great album and in my opinion, hunting down an old CD copy is the ideal way to hear this thing. I've never heard the OG vinyl, but it's missing two track so forget it. Then the remastered one from a few years ago just sounded over blown to me.
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It's time for Discogs to define what's a real contribution: someone gets in here, puts a comma or a number and they get credit...IMO credits should go only for the one who creates the entry and for those who images.
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Edited 19 years agoAhh "Disintergration". Regarded by many Cure fans as the best of the best (along with "Pornography" and "Three Imaginary Boys"/"Boys Don't Cry") and it certainly holds up till this day.
Sentimental and bittersweet, Robert Smith's lyrics and music create a lush album filled with self-reflection, insecurities and nightmares of love and hope.
The obvious pop single "Lovesong" is drenched in a haunting melody as is "Lulabye" but with more of a wickedness to it. But this album only has those few "pop" songs. One of the strongest tracks "Fascination Street" has an aggresive tone and perhaps one of the meanest basslines ever played. "Plainsong", "Untitled" and "The Same Deep Water As You" are as haunting as they are calming.
There truly isn't one bad note or bad lyric to be found anywhere. A true gem from a truly amazing talent.
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