Steven Wilson – The Future Bites
Label: |
Arts & Crafts – CAROL021LP |
---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Prog Rock |
Tracklist
A1 | Unself | |
A2 | Self | |
A3 | King Ghost | |
A4 | 12 Things I Forgot | |
A5 | Eminent Sleaze | |
A6 | Man Of The People | |
B1 | Personal Shopper | |
B2 | Follower | |
B3 | Count Of Unease |
Companies, etc.
- Phonographic Copyright ℗ – Steven Wilson Productions Ltd.
- Copyright © – Steven Wilson Productions Ltd.
- Licensed To – Caroline International
- Published By – Hands Off It's Mine Publishing
- Published By – Universal Music Publishing Group
- Pressed By – Optimal Media GmbH – BK19939
- Recorded At – Muttley Ranch
- Recorded At – Snap Studios
- Mastered At – Gateway Mastering
- Lacquer Cut At – Optimal Media GmbH
Credits
- Design, Art Direction – Simon Moore (6)
- Edited By – Mo Hausler
- Lacquer Cut By – ST*
- Management [For Pro Music Management] – Peter Rudge
- Management [Penny Morgan And Peter Rudge For] – Pro Music Management
- Mastered By – Bob Ludwig
- Mixed By – David Kosten (tracks: A1, A3, A5 to B3)
- Other [Hair] – Dino Pereira
- Other [Make-up] – Emma Osbourne
- Other [Stylist] – Naomi Parry
- Photography By [Cover] – Andrew Hobbs
- Photography By [Product] – Yeshen Venema
- Producer – Steven Wilson
- Recorded By [Additional, Snap Studios] – Marco Pasquariello
- Recorded By [Muttley Ranch] – David Kosten
- Text By – Steven Wilson
- Words By, Music By – Steven Wilson
Notes
Black vinyl version in slip cover around a gatefold sleeve with a 16-page booklet.
Some copies sold through Burning Shed site came signed on the slipcase cover.
Some copies sold through Burning Shed site came bundled with Burning Shed coaster.
Some copies exclusively sold through German JPC site came with a 30cm x 30cm lithography showing a black and white portrait photograph of Steven.
Artist and title stylized as 5T3V3NW1L50NTH34UTUR381T35 on interior artwork.
Recorded at Muttley Ranch, London. Additional recording at Snap Studios.
Mastered at Gateway Mastering, Portland, Maine.
Published by Hands Off It's Mine Publishing, istered by Universal Music Publishing Group.
Additional credits -
A2: Yali, Mia, Lihi, Romi, Guy, Gali, Mati, Tom, Shai - The Kids.
A3: Jason Cooper courtesy of The Cure.
A4: Blaine Harrison, Jack Flanagan courtesy of Mystery Jets.
5.1 mix by Steven Wilson. Dolby Atmos mix by Steven Wilson and Jack Fields. (Noting these two credits here as they are printed on the release's credits list, but are not relevant to this submission.)
Elton John appears courtesy of Virgin / EMI Records.
Michael Spearman appears courtesy of Everything Everything (and Kyle).
Some copies sold through Burning Shed site came signed on the slipcase cover.
Some copies sold through Burning Shed site came bundled with Burning Shed coaster.
Some copies exclusively sold through German JPC site came with a 30cm x 30cm lithography showing a black and white portrait photograph of Steven.
Artist and title stylized as 5T3V3NW1L50NTH34UTUR381T35 on interior artwork.
Recorded at Muttley Ranch, London. Additional recording at Snap Studios.
Mastered at Gateway Mastering, Portland, Maine.
Published by Hands Off It's Mine Publishing, istered by Universal Music Publishing Group.
Additional credits -
A2: Yali, Mia, Lihi, Romi, Guy, Gali, Mati, Tom, Shai - The Kids.
A3: Jason Cooper courtesy of The Cure.
A4: Blaine Harrison, Jack Flanagan courtesy of Mystery Jets.
5.1 mix by Steven Wilson. Dolby Atmos mix by Steven Wilson and Jack Fields. (Noting these two credits here as they are printed on the release's credits list, but are not relevant to this submission.)
Elton John appears courtesy of Virgin / EMI Records.
Michael Spearman appears courtesy of Everything Everything (and Kyle).
Barcode and Other Identifiers
- Barcode (Scanned): 00602508665691
- Barcode (Text): 0602508665691
- Matrix / Runout (Side A, 1+ mirrored): BK19939-01 A1 ST 0866569 1+
- Matrix / Runout (Side B, 1^ mirrored): BK19939-01 B1 ST 0866569 1^
Other Versions (5 of 22)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission
|
The Future Bites (CDr, Album, Promo) | Caroline International | none | Europe | 2020 | ||
New Submission
|
The Future Bites (9×File, MP3, Album, 320 kbps) | Caroline International | none | 2021 | |||
Recently Edited
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The Future Bites (LP, Album, Limited Edition, Stereo, White) | Arts & Crafts | CAROL021LPX, 00602508804403 | Europe | 2021 | ||
Recently Edited
|
The Future Bites (Cassette, Album) | Arts & Crafts | CAROL021CA | Europe | 2021 | ||
Recently Edited
|
The Future Bites (LP, Album, Limited Edition, Red, 180 Gram) | Arts & Crafts | CAROL021LPC | Europe | 2021 |
Recommendations
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2013 EuropeLP, Album, Stereo
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Reviews
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A really particular album from Steven Wilson. An insual techno/pop trying that cut off from his works. It's not my cup of tea but he explores new soundscapes, that's why we like it.
Good pressing, nice take of sound. -
They say this is his worst album. I love it!!!! The album is very crafted. The songs are catchy. They are innovative. The beats are good. Really enjoying this.
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Needs a few listen to really get into, but I really like this (now). Think you need to be in mood to fully enjoy. QA wise nothing of note to complain about, vinyl great and surprisingly heavy.
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Absurdly low rating. Whole pack is excellent, pleasant to have it in collection. Mastering is crystal clear and detailed. Yeah, there’s some hiss, but nothing critical. Recommend to have it in your SW albums collection and buy and buy until it makes you sick, of course 😉
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Haters gonna hate, but this is a brilliant album. Also sounds fantastic and the whole package and concept are first rate.
“Buy for comfort, buy for kicks
Buy and buy until it makes you sick” -
A very decent album considering what Wilson has done so far with PT, SW, all side projects. Also, don't forget which influences he mentions in his interviews over the years.
Alas if artists created works to flatter their audience.
Enjoy guilt-free!!! -
You could tell all of 2020 with Wilson denouncing guitars and mocking his loyal fans there was going to be trouble and here we have it. His demise in the form of a really poor record. I have no problem with electronica and ambient but its got to be tasteful. Its got to be good. This is neither. Ironically it sounds the cheesiest and most dated of anything he has ever done! Furthermore the sell out is real... 20 different editions of this album upon release? Shady. I just hope he continues to remix the classics because thats easily all he does good now.
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Don't let the prog rock fan boys turn you off of this record. Both the music and overall package is top notch. A brilliant record through and through.
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