Deep Space Network – Big Rooms
Label: |
re:discovery records – rd001 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
IDM |
Tracklist
A1 | Zenn La | 7:58 | |
A2 | The Beyond Within | 9:31 | |
B1 | Om | 9:22 | |
B2 | Xplorexpandxperience | 7:55 | |
C1 | Doors Of Perception | 9:09 | |
C2 | Psycho Path | 10:43 | |
D1 | Nothing Is | 7:23 | |
D2 | Graviton | 7:01 | |
D3 | Number Nine | 5:19 |
Companies, etc.
- Distributed By – Inch By Inch
- Recorded At – reSource Heidelberg
- Lacquer Cut At – R.A.N.D. Muzik
Credits
- Artwork, Illustration, Design [Package Design] – Jonas Grossmann
- Design [Insert Design] – Lou Karsh
- Lacquer Cut By – Rand (5)
- Photography By – NASA (10)
- Recorded By – Jonas Grossmann
Notes
Black version: 950 black copies exist. Originally there were 150 Grey 'Moon Coloured' and 350 black copies. On 1/23/21 another 300 black copies of a 2nd run was made. on 1/20/22 another 300 copies were made in a 3rd and final run.
Total: 150 in Grey 'Moon Coloured' and 950 in black.
Full color gatefold with original intended artwork by Jonas Grossman
From insert:
Dear listener,
On behalf of re:discovery records and Source Records, it is with great excitement that we announce the release of Deep Space Network's 'Big Rooms'. Deep Space Network was a t project by David Moufang (Move D) & Jonas Grossman and it explored electronic music that wonderfully combined ambient, chill out themes, sci-fi techno and IDM. Originally released on David Moufang's Source Records and distributed by Instinct Ambient Records in America the following year. 27 years later, finally released on vinyl for the very first time.
At the release of Big Rooms, techno was still fresh. A lot of things hadn't been tried yet and it was easy to be inspired and to come up with something that maybe nobody had tried before. Big Rooms in 1993 was the follow up to Earth & Infinity from 1992 which was Jonas and I and was my first release. The first one was very much influenced by mainly KLF and their album Space if you happen to know about it. It was a genre defining album and they invented the chill out term and style as we know it to have become. What they were doing was using a lot of musical references and we were doing the same with our first record. On Big Rooms we wanted to show what we could do without using other people's samples. Big Rooms kicks off with a track called 'Zenn la' and it features the voice from our friend at the time Bill Wilson. Many people over the years thought it was a sample we found somewhere but it's actually Bill who happen to away 11 years ago.
Bill was a retired U.S. Army officer serving mainly in Asia and now was hanging out with the barflies like Jonas and I. Bill was a great storyteller and I always thought his voice would be great to have speak on a track of ours. We brought him into the studio and it was really challenging to get him into the kind of topics that we would want to put on a record. So, we had to kind of direct him into telling us about the caves in West Virginia near where he was originally from. His childhood memories for that experience become the intro in the album and I think it is very beautiful. I hope you enjoy hearing this again some 27 years later"
- David Moufang
"One thing I very vividly is, that at the time our fascination with sci-fi was very strong. The whole aesthetic and feel. From crappy b-movies to NASA documentaries to 2001: A Space Odyssey. The latter was shown as a midnnight-feature at our local movie-theater. I seeing it for the first time one a big screen, in the (let´s say) appropriate state of mind, blew me away. As I was working in video production-company at the time, this fascination also led to early video-clips I produced for earth to infinity and big rooms that would start a series of VHS Tapes compilations released on Source Records. The thing that strikes me the most looking back , is that 1992/1993 all Source Records and Deep Space Work worked completely without Internet and on, even at the time, rather obsolete computer technology: based on a cheap Atari and a Fax-Machine. Despite our fascination with future technologies, our reality then looking at music production, video production and social networking was entirely analog.“
- Jonas Grossman
re:discovery records 2020 / Source Records 1993
Our objective at re:discovery is to bring you lesser known music from the past to the present. Music that was great for the time and that is still futuristic today. We want to take a quality over quantity approach. Each release will be chosen carefully and presented with pride in hopes you are excited looking forward to each new release. Thank you for your time and your interest in re:discovery records.
Sincerely,
re:discovery records
"you don't know where it's going unless you know where it came from"
p.s. - Bring back the chill out rooms! -
Total: 150 in Grey 'Moon Coloured' and 950 in black.
Full color gatefold with original intended artwork by Jonas Grossman
From insert:
Dear listener,
On behalf of re:discovery records and Source Records, it is with great excitement that we announce the release of Deep Space Network's 'Big Rooms'. Deep Space Network was a t project by David Moufang (Move D) & Jonas Grossman and it explored electronic music that wonderfully combined ambient, chill out themes, sci-fi techno and IDM. Originally released on David Moufang's Source Records and distributed by Instinct Ambient Records in America the following year. 27 years later, finally released on vinyl for the very first time.
At the release of Big Rooms, techno was still fresh. A lot of things hadn't been tried yet and it was easy to be inspired and to come up with something that maybe nobody had tried before. Big Rooms in 1993 was the follow up to Earth & Infinity from 1992 which was Jonas and I and was my first release. The first one was very much influenced by mainly KLF and their album Space if you happen to know about it. It was a genre defining album and they invented the chill out term and style as we know it to have become. What they were doing was using a lot of musical references and we were doing the same with our first record. On Big Rooms we wanted to show what we could do without using other people's samples. Big Rooms kicks off with a track called 'Zenn la' and it features the voice from our friend at the time Bill Wilson. Many people over the years thought it was a sample we found somewhere but it's actually Bill who happen to away 11 years ago.
Bill was a retired U.S. Army officer serving mainly in Asia and now was hanging out with the barflies like Jonas and I. Bill was a great storyteller and I always thought his voice would be great to have speak on a track of ours. We brought him into the studio and it was really challenging to get him into the kind of topics that we would want to put on a record. So, we had to kind of direct him into telling us about the caves in West Virginia near where he was originally from. His childhood memories for that experience become the intro in the album and I think it is very beautiful. I hope you enjoy hearing this again some 27 years later"
- David Moufang
"One thing I very vividly is, that at the time our fascination with sci-fi was very strong. The whole aesthetic and feel. From crappy b-movies to NASA documentaries to 2001: A Space Odyssey. The latter was shown as a midnnight-feature at our local movie-theater. I seeing it for the first time one a big screen, in the (let´s say) appropriate state of mind, blew me away. As I was working in video production-company at the time, this fascination also led to early video-clips I produced for earth to infinity and big rooms that would start a series of VHS Tapes compilations released on Source Records. The thing that strikes me the most looking back , is that 1992/1993 all Source Records and Deep Space Work worked completely without Internet and on, even at the time, rather obsolete computer technology: based on a cheap Atari and a Fax-Machine. Despite our fascination with future technologies, our reality then looking at music production, video production and social networking was entirely analog.“
- Jonas Grossman
re:discovery records 2020 / Source Records 1993
Our objective at re:discovery is to bring you lesser known music from the past to the present. Music that was great for the time and that is still futuristic today. We want to take a quality over quantity approach. Each release will be chosen carefully and presented with pride in hopes you are excited looking forward to each new release. Thank you for your time and your interest in re:discovery records.
Sincerely,
re:discovery records
"you don't know where it's going unless you know where it came from"
p.s. - Bring back the chill out rooms! -
Barcode and Other Identifiers
- Matrix / Runout (Etched A side runout): RE001 A dare to dream RAND
- Matrix / Runout (Etched B side runout): RE001 B dare to dream RAND
- Matrix / Runout (Etched C side runout): RE001 C dare to dream RAND
- Matrix / Runout (Etched D side runout): RE001 D RAND
Other Versions (5)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Big Rooms (CD, Album) | Source Records (2) | CD 930611 | 1993 | |||
Big Rooms (CD, Album) | Instinct Ambient | EX.292.2 | US | 1994 | |||
Recently Edited
|
Big Rooms (2×LP, Album, Limited Edition, Reissue, Grey) | re:discovery records | rd001 | US | 2020 | ||
Recently Edited
|
Big Rooms (2×LP, Album, Reissue, Test Pressing) | re:discovery records | rd001 | US | 2020 | ||
New Submission
|
Big Rooms (9×File, FLAC, Album, Reissue) | re:discovery records | rd001 | US | 2020 |
Recommendations
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2020 NetherlandsLP, Compilation
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2017 UK12", 33 ⅓ RPM, Album, Reissue, Repress
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Reviews
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Edited 3 years agoStill sad that I once again used the services of deejay.de - they always mess things up (to put it mildly).
I ordered the Grey vinyl, but got this black vinyl instead. I had already left positive , and in the end I received a small refund.
I accepted this because from my personal experience I know that deejay.de are incapable of accepting their own mistakes and they want you to pay the return postage, and, if you want the correct item that you actually ordered, they also want you to pay the postage again, a third time! Because THEY made a mistake?
That's the kind of company that gives a bad name, because they are not alone, very often, if something goes wrong, German companies - not individuals - are often ignorant to accept this - it appears as if the customer is NEVER correct, only the corporate sellers.
So not anything about the music here, I'm afraid, but be warned about deejay.de, a completely horrible company both here and on their own website. -
Edited 3 years agonice re-release, but my copy skips few times throughout b-side. nevertheless its great to see such a greatness released properly on vinyl. some tracks sound cool when played on 45rpms. recommend!
edit: there are actually no skips, after relistening to the record later this evening i found none. -
Album initially released in 1993, now - for the first time - reissued on vinyl is the work of two artists: David Moufang (Move D) and Jonas Grossman. The 2xLP has 9 long tracks with a varied vibe, mostly based synthesizer compositions. The mix of genres is vast: ambient, chill, downtempo, techno, acid. Artists acknowledge being fascinated by sci-fi in the period the album was created - from Kubrick's Space Odyssey, to crappy B-movies - and the cinematic vibe is heard throughout the album. Essential piece of electronic music history.
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This is an excellent pressing, very respectfully done. Records come in poly-lined sleeves which always save the day. Great to finally hear this on wax!
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Fantastic pressing! Flat records, no sound issues. Label did really good job with this reissue. No complaints, all good, thanks!
Release
See all versions
Recently Edited
Recently Edited
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5 copies from €34.28