Yo La Tengo – And Then Nothing Turned Itself Inside-Out
Label: |
Matador – Ole 371-2 |
---|---|
Format: |
CD
, Album
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
1 | Everyday | 6:30 | |
2 | Our Way To Fall | 4:17 | |
3 | Saturday | 4:17 | |
4 | Let's Save Tony Orlando's House | 4:59 | |
5 | Last Days Of Disco | 6:27 | |
6 | The Crying Of Lot G | 4:43 | |
7 | You Can Have It All | 4:34 | |
8 | Tears Are In Your Eyes | 4:33 | |
9 | Cherry Chapstick | 6:09 | |
10 | From Black To Blue | 4:46 | |
11 | Madeline | 3:35 | |
12 | Tired Hippo | 4:44 | |
13 | Night Falls On Hoboken | 17:41 |
Companies, etc.
- Phonographic Copyright ℗ – Matador Records (2)
- Copyright © – Matador Records (2)
- Published By – Roshashauna Music
- Published By – Excellent Classical Songs
- Published By – EMI Longitude Music
- Recorded At – Alex The Great
- Recorded At – The Pigeon Club
- Mixed At – Big House
- Mastered At – Sterling Sound
- Made By – Key Production
- Glass Mastered At – DOCdata UK
Credits
- Mastered By – Greg Calbi
- Photography – Dan
- Photography By – Gregory Crewdson
- Producer – Roger Moutenot
- Recorded By [Additional] – Wayne Dorell
- Written-By – Yo La Tengo (tracks: 1 to 6, 8 to 13)
Notes
All songs published by Roshashauna Music / Excellent Classical Songs (BMI) except track 7 published by EMI Longitude Music (BMI).
℗ © 2000 Matador Records.
Made in the UK.
Packaged in a six Digipak.
Additional recording by David Henry in Nashville, Bil Emmons in Manhattan, Peter Walsh on location in Brooklyn, and Wayne Dorell at the Pigeon Club in Hoboken.
Recorded at Alex the Great in Nashville, and mixed at the Big House in Manhattan.
℗ © 2000 Matador Records.
Made in the UK.
Packaged in a six Digipak.
Additional recording by David Henry in Nashville, Bil Emmons in Manhattan, Peter Walsh on location in Brooklyn, and Wayne Dorell at the Pigeon Club in Hoboken.
Recorded at Alex the Great in Nashville, and mixed at the Big House in Manhattan.
Barcode and Other Identifiers
- Barcode (Text): 7 44861 03712 5
- Matrix / Runout: KEY OLE371-2
- Mastering SID Code: IFPI LP76
Other Versions (5 of 24)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
And Then Nothing Turned Itself Inside-Out (2×LP, Album, 150g) | Matador | OLE 371-1 | UK, Europe & US | 2000 | ||
Recently Edited
|
And Then Nothing Turned Itself Inside-Out (CD, Album, Promo) | Matador | OLE 371-2V | US | 2000 | ||
New Submission
|
Sampler 1993-1997 (CD, Sampler, Promo) | Matador | OLE 453-2 | US | 2000 | ||
And Then Nothing Turned Itself Inside-Out (CD, Album) | Matador | Ole 371-2 | US | 2000 | |||
And Then Nothing Turned Itself Inside-Out (CD, Album) | Matador | Ole 371-2 | UK | 2000 |
Recommendations
Reviews
-
I have noticed that the matrix number stated does not tally with the one shown in the photo in the images.
Could whoever put these images up please amend, thanks. -
Edited 18 years agoThe guitar work on this album is fantastic. Beautiful, eiry, minimal, doesnt sound like a guitar, ambient. Id say this is one of their best and most mature release thus far. It is so chill and beautiful. Sincere lyrics at points sung in a sweet off key manner as only yo la tengo can do over what sounds like a cr-78 drum machine (although quite possibly a Rhythm ACE, as I believe they use an organ from the same company ACETONE- anyways sort of clicky lofi cheap sounding) in places or brushed drums in others and low droney organs. The whole album has this soft melancholic atmosphere. Time slips in and out of place with snipits of reality intertwined. Although it is very laid back, Id say it is quite abstract lounge music. The title of the album sort of sums it up. My only real complaint is the song Cherry Chapstick. Although it is really wicked, reminding me of their earlier intensity, it sort of sticks out like a sore thumb in comparison to the rest of the album. The last track is a fantastic droney ambient piece clocking in around 17minutes.
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