Hans Zimmer – Interstellar (Original Motion Picture Soundtrack)
Label: |
Sony Classical – 19439796472 |
|---|---|
Format: |
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Country: |
Europe |
Released: |
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Genre: |
Stage & Screen |
Style: |
Soundtrack |
Tracklist
| 1-1 | Dreaming Of The Crash | 3:55 | |
| 1-2 | Cornfield Chase | 2:06 | |
| 1-3 | Dust | 5:41 | |
| 1-4 | Day One | 3:19 | |
| 1-5 | Stay | 6:52 | |
| 1-6 | Message From Home | 1:40 | |
| 1-7 | The Wormhole | 1:30 | |
| 1-8 | Mountains | 3:39 | |
| 1-9 | Afraid Of Time | 2:32 | |
| 1-10 | A Place Among The Stars | 3:27 | |
| 1-11 | Running Out | 1:57 | |
| 1-12 | I'm Going Home | 5:48 | |
| 1-13 | Coward | 8:26 | |
| 1-14 | Detach | 6:42 | |
| 1-15 | S.T.A.Y. | 6:23 | |
| 1-16 | Where We're Going | 7:41 | |
| 2-1 | First Step | 1:48 | |
| 2-2 | Flying Drone | 1:53 | |
| 2-3 | Atmospheric Entry | 1:39 | |
| 2-4 | No Need To Come Back | 4:33 | |
| 2-5 | Imperfect Lock | 6:55 | |
| 2-6 | No Time For Caution | 4:06 | |
| 2-7 | What Happens Now? | 2:05 | |
| 2-8 | Who's They? | 7:17 | |
| 2-9 | Murph | 11:21 | |
| 2-10 | Organ Variation | 4:52 | |
| 2-11 | Tick-Tock | 8:19 | |
| 2-12 | Day One (Original Demo) | 3:49 | |
| 2-13 | Day One Dark | 6:57 | |
| 2-14 | Do Not Go Gentle Into That Good Night | 1:37 |
Companies, etc.
- Record Company – Sony Music Entertainment International Services GmbH
- Phonographic Copyright ℗ – Warner Bros. Entertainment Inc.
- Copyright © – Warner Bros. Entertainment Inc.
- Copyright © – Paramount Pictures Corporation
- Licensed To – Sony Music Entertainment
- Distributed By – Sony Music Entertainment
- Published By – Warner-Olive Music, LLC
- Published By – Paramount Allegra Music
- Recorded At – Air Lyndhurst Hall
- Recorded At – Temple Church, London
- Mixed At – Remote Control Productions
- Glass Mastered At – Sonopress – 57559875
- Glass Mastered At – Arvato – 57559878
Credits
- Bass – Mary Scully
- Bassoon [1] – Richard Skinner (2)
- Bassoon [2] – Lorna West
- Bassoon, Contrabassoon [3] – Rachel Simms
- Bassoon, Contrabassoon [4] – Gordon Laing
- Cello [First] – Caroline Dale
- Choir – London Voices
- Choir [Master] – Terry Edwards (2)
- Clarinet [1] – Nicholas Bucknall
- Clarinet, Bass Clarinet [C Extension] [3] – Martin Robertson
- Clarinet, Bass Clarinet [C Extension] [4] – Duncan Ashby
- Clarinet, Clarinet [High Eb] [2] – Nick Rodwell
- Clarinet, Contrabass Clarinet [5] – David Fuest
- Clarinet, Contrabass Clarinet [6] – Alan Andrews
- Composed By, Music By – Hans Zimmer
- Conductor [Orchestra] – Richard Harvey (2)
- Contractor – Isobel Griffiths
- Coordinator [Air Studios Bookings] – Alison Burton
- Engineer [Additional] – Seth Waldmann
- Engineer [Technical Score] – Stephanie McNally
- Engineer [Technical] – Matt Kingdon*
- Flute [1] – Karen Jones (3)
- Flute, Flute [Alto] [5] – Rowland Sutherland
- Flute, Flute [Alto] [6] – Siobhan Grealy
- Flute, Piccolo Flute [2] – Helen Keen
- Flute, Piccolo Flute [3] – Paul Edmund Davies
- Flute, Piccolo Flute, Flute [Alto] [4] – Anna Noakes
- French Horn [First] – Richard Watkins
- Harp – Skaila Kanga
- Instruments [Digital Instrument Design] – Mark Wherry
- Liner Notes – Hans Zimmer
- Management [Executive In Charge Of Music For Paramount Pictures] – Randy Spendlove
- Management [Executive In Charge Of Music For Warner Bros. Pictures] – Paul Broucek
- Management [Executive In Charge Of WaterTower Music] – Jason Linn
- Mixed By [Score Mix Assistant] – John Witt Chapman
- Mixed By [Score] – Alan Meyerson
- Music Consultant – Czarina Russell
- Music Librarian – Jill Streater
- Musical Assistance [Preparation] – Booker T. White*
- Oboe [1] – David Theodore
- Oboe [2] – Matthew Draper
- Oboe, Cor Anglais [3] – Jane Marshall
- Oboe, Cor Anglais [4] – Janey Miller
- Orchestra [Leader Of The 1sts] – Thomas Bowes
- Orchestra [Leader Of The 2nds] – Roger Garland
- Orchestrated By [Orchestration] – Walt Fowler
- Organ [At Temple Church Performed By] – Roger Sayer
- Other [Assistant To Hans Zimmer] – Cynthia Park
- Percussion [Tuned] – Frank Ricotti
- Piano – Hans Zimmer
- Piano [Quartet] – Simon Chamberlain
- Producer [Score Produced By] – Hans Zimmer
- Producer [Soundtrack Album Produced By] – Hans Zimmer
- Production Manager – Steven Kofsky
- Programmed By [Sequencer] – Steve Mazzaro
- Recorded By [Pro Tools At Lyndhurst Hall] – Chris Barrett
- Recorded By [Pro Tools At Studio 1] – Laurence Anslow
- Recorded By [Pro Tools At Temple Church] – John Prestage
- Recorded By [Score] – Geoff Foster
- Sampler [Sampling Team] – Taurees Habib
- Score Editor – Ryan Rubin
- Score Editor [Supervising Music Editor] – Alex Gibson
- Sound Designer [Ambient Music Design] – Mario Reinsch
- Stage Manager [Studio Manager For Remote Control Production] – Shalini Singh
- Steel Guitar – Chas Smith
- Strings [Quartet] – Tim Gill*
- Supervised By [Orchestrator] – Bruce L. Fowler*
- Synth [Programming] – Hans Zimmer
- Technician [Assistant/Abbey Road Mobile] – Jon Alexander (3)
- Technician [Booth Reader] – Steve Mazzaro
- Technician [Technical Assistant] – Leland Cox
- Viola [First] – Peter Lale
- Violin – Ann Marie Simpson
Notes
℗ 2020 Warner Bros. Entertainment Inc. Motion Picture Artwork and Photography © 2020 Warner Bros. Entertainment Inc. and Paramount Pictures Corporation. [...] Under exclusive license to Sony Music Entertainment.
Made in the EU.
Made in the EU.
Barcode and Other Identifiers
- Barcode (Printed): 1 94397 96472 1
- Barcode (Scanned): 194397964721
- Rights Society: BIEM/GEMA
- Label Code (Back cover): LC 06868
- Label Code (Disc face): LC06868
- SPARS Code: DDD
- Matrix / Runout (CD1, variant 1): 57559875/19439796472-1 21
- Mastering SID Code (CD1, variant 1): IFPI LP73
- Mould SID Code (CD1, variant 1): IFPI 0717
- Matrix / Runout (CD2, variant 1): 57559878/19439796472-2 21
- Mastering SID Code (CD2, variant 1): IFPI LB46
- Mould SID Code (CD2, variant 1): IFPI 0717
- Matrix / Runout (CD1, variant 2): [Sony Music logo] 57559875/19439796472-1 21
- Mastering SID Code (CD1, variant 2): IFPI LP73
- Mould SID Code (CD1, variant 2): IFPI 076Y
- Matrix / Runout (CD2, variant 2): [Sony Music logo] 57559878/19439796472-2 22
- Mastering SID Code (CD2, variant 2): IFPI LB46
- Mould SID Code (CD2, variant 2): IFPI 076Y
Other Versions (5 of 25)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
Interstellar (Original Motion Picture Soundtrack) (CD, Album, Stereo, Digipak) | WaterTower Music | 88875048122 | Europe | 2014 | ||
| Interstellar (Original Motion Picture Soundtrack) (CD, Album) | WaterTower Music | WTM39546 | USA & Canada | 2014 | |||
|
Recently Edited
|
Interstellar (Original Motion Picture Soundtrack) (24×File, FLAC, Album, Deluxe Edition, Deluxe Version) | WaterTower Music | HD794043183218 | Europe | 2014 | ||
| Interstellar (Original Motion Picture Soundtrack) (CD, Album, CD, , Box Set, Limited Edition) | WaterTower Music | 794043181924 | US | 2014 | |||
|
New Submission
|
Interstellar (Original Motion Picture Soundtrack) (CD, Album) | WaterTower Music | SI-4368 | Japan | 2014 |
Recommendations
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2012 EuropeCD —Album, Enhanced -
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1992 EuropeCD —Album, Stereo -
2006 UK & EuropeCD —Album, Stereo -
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Reviews
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Arthur C. Clarke's "The Songs Of Distant Earth" is my favourite science -fiction book, and one of my favourite books ever, where Clarke develops the idea of mankind being forced to leave Earth due to the Sun dying before the time it was originally calculated, depicting our specie’s struggle for survival in a heartbreakingly empty and vast universe.
In 2014, Christopher Nolan released "Interstellar".
Based in the same idea (mankind leaving Earth and fighting for survival in a universe that is, at best, indifferent to mankind’s struggles) "Interstellar’ is the journey of four people, one of them a father, in search for a place among the stars where mankind can start anew, where Nolan plays with concepts such as time (again), love as a universal and measurable force, and mankind being its own saviour and only hope for survival.
Hans Zimmer wrote the music for such an odyssey and, once again, he gave birth to a milestone of contemporary film music: at the same time cold as the interstellar void and warm as the room of a little kid in a farm back on Earth, grandiose and overwhelming as a black hole’s tidal forces and intimate and tender as a goodbye between a father and his children.
Honouring his notorious ability to go beyond the songwriting, choosing sounds and instruments that perfectly fit the movie’s themes and ideas, Zimmer worked here with a church organ in order to get the sound of solemnity when mankind facing the metaphysical implications of such quest, and also used the clock- like ticking sound as rhythm foundation in several tracks, as a representation of how critical time is within the story that the movie tells, and also how relentless and ruthless its ing is.
Outstanding moments are "Coward", "Mountains", "Cornfield Chase", "Message From Home" and, mostly, the climax formed by "Detach", "S.T.A.Y." and "Where Are We Going?" that give an extra sentimental punch to the connection between Cooper and his genius daughter, Murph.
All in all, another great work by Zimmer, and probably his last truly great soundtrack.
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