Genesis – Seconds Out
Label: |
Rhino Records (2) – R1 82689 |
|---|---|
Format: |
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Country: |
US |
Released: |
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Genre: |
Rock |
Style: |
Art Rock |
Tracklist
| A1 | Squonk | 6:42 | |
| A2 | The Carpet Crawl | 5:20 | |
| A3 | Robbery Assault & Battery | 6:02 | |
| A4 | Afterglow | 4:25 | |
| B1 | Firth Of Fifth | 8:55 | |
| B2 | I Know What I Like | 8:44 | |
| B3 | The Lamb Lies Down On Broadway | 4:59 | |
| B4 | The Musical Box (Closing Section) | 3:21 | |
| C1 | Supper’s Ready | 24:41 | |
| D1 | The Cinema Show | 10:58 | |
| D2 | Dance On A Volcano | 5:09 | |
| D3 | Los Endos | 6:20 |
Companies, etc.
- Phonographic Copyright ℗ – Anthony Banks Ltd.
- Phonographic Copyright ℗ – Philip Collins Ltd.
- Phonographic Copyright ℗ – Michael Rutherford Ltd.
- Copyright © – Anthony Banks Ltd.
- Copyright © – Philip Collins Ltd.
- Copyright © – Michael Rutherford Ltd.
- Published By – Anthony Banks
- Published By – Philip Collins Ltd.
- Published By – Stephen Hackett Ltd.
- Published By – Real World Music Ltd.
- Published By – Michael Rutherford Ltd.
- Published By – EMI Music Publishing
- Published By – Concord
- Licensed To – Atlantic Recording Corporation
- Licensed To – Rhino Entertainment Company
- Record Company – Warner Music Group
- Manufactured For – Rhino Entertainment Company
- Marketed By – Rhino Entertainment Company
- Recorded By – Manor Mobile
- Mixed At – Trident Studios
- Mixed At – The Farm
- Mastered At – Abbey Road Studios
- Lacquer Cut At – Abbey Road Studios
- Pressed By – Optimal Media GmbH – BJ61290
Credits
- Art Direction – Frank Sansom
- Drums [Ludwig / Hayman], Percussion – Bill Bruford (tracks: D1)
- Drums [Pearl], Percussion – Chester Thompson (tracks: A1 to C1, D2, D3)
- Drums [Premier / Gretsch] – Phil Collins (tracks: A3, B1, B4, C1, D1, D3)
- Electric Guitar [Gibson Les Paul], Twelve-String Guitar [Hokada] – Steve Hackett
- Electric Piano [RMI], Electric Organ [Hammond T.], Synthesizer [ARP Pro Soloist], Mellotron [Melotron 400], Twelve-String Guitar [Epiphone], Backing Vocals – Tony Banks
- Lacquer Cut By – Miles Showell
- Management – Tony Smith (13)
- Mastered By – Nick Davis
- Mixed By – Nick Davis
- Producer – Genesis
- Producer [Assistant] – Neil Ross
- Project Manager [Coordinator] – Jo Greenwood
- Sleeve, Layout – A&D Design*
- Sleeve, Photography By – Robert Ellis (4)
- Twelve-String Guitar [Shergold Electric / Alvarez], 12-String Bass [Shergold Electric], Bass [8 String], Pedalboard [Moog Taurus Bass Pedals], Backing Band – Mike Rutherford
- Vocals [Voice] – Phil Collins
- Written-By – Banks*
Notes
Live album, pressed onto double 180 gram vinyl with gatefold sleeve and printed inner bags.
Manufactured in E.U. Printed in Canada.
Runouts are etched.
Runout side A, variant 1: "VII" is mirrored (reads as "IIɅ")
Runout side B, variant 1: "1T" is mirrored and "T" is upside down (reads as "⊥⥜")
Runout side C, variant 2: "1 I" is mirrored
Runout side D, variant 1: the "L" in "TL" is upside down (reads as "TГ")
Manufactured in E.U. Printed in Canada.
Runouts are etched.
Runout side A, variant 1: "VII" is mirrored (reads as "IIɅ")
Runout side B, variant 1: "1T" is mirrored and "T" is upside down (reads as "⊥⥜")
Runout side C, variant 2: "1 I" is mirrored
Runout side D, variant 1: the "L" in "TL" is upside down (reads as "TГ")
Barcode and Other Identifiers
- Barcode: 603497851577
- Matrix / Runout (Runout side A, variant 1): BJ61290-01 A1 VII 7746464 MILES. ABBEY ROAD 1/2 SPEED. ROOM 30.
- Matrix / Runout (Runout side B, variant 1): BJ61290-01 B1 1T 7746464 MILES. AR 1/2 SPEED. RM 30.
- Matrix / Runout (Runout side C, variant 1): BJ61290-02 C1 V▽ 7746465 MILES. ABBEY ROAD 1/2 SPEED. ROOM 30.
- Matrix / Runout (Runout side D, variant 1): BJ61290-02 D1 7746465 MILES. ABBEY ROAD 1/2 SPEED. ROOM 30. TL
- Matrix / Runout (Runout side A, variant 2): BJ61290-01 A1 7746464 MILES. ABBEY ROAD 1/2 SPEED ROOM 30.
- Matrix / Runout (Runout side B, variant 2): BJ61290-01 B1 7746464 MILES. ABBEY ROAD 1/2 SPEED ROOM 30.
- Matrix / Runout (Runout side C, variant 2): BJ61290-02 C1 1 I 7746465 MILES. ABBEY ROAD 1/2 SPEED ROOM 30.
- Matrix / Runout (Runout side D, variant 2): BJ61290-02 D1 7746465 MILES. ABBEY ROAD 1/2 SPEED ROOM 30.
Other Versions (5 of 179)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Seconds Out (2×LP, Album, Monarch Pressing, Gatefold) | Atlantic | SD 2-9002 | US | 1977 | ||
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Recently Edited
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Seconds Out (2×LP, Album, Stereo) | Charisma | 6641 697 | 1977 | |||
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Recently Edited
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Seconds Out (2×LP, Album, Stereo) | Charisma | 6641 697 | Italy | 1977 | ||
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Recently Edited
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Seconds Out (2×LP, Album, Stereo) | Charisma | 6641 697 | Scandinavia | 1977 | ||
|
New Submission
|
Seconds Out (2×LP, Album) | Atlantic | 2SD 9002 | Canada | 1977 |
Recommendations
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2016 USA & CanadaVinyl —LP, Album, Reissue, Remastered, Stereo -
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2023 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Stereo -
2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo -
Reviews
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The first disc is warped but it does not negatively affect the playback quality. Like others have said, side 3 has a skip right in the middle of Supper's Ready. Overall, the quality is less than I would have liked, but the album still sounds good.
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This is the best version I’ve ever heard of this strong performance that has been well presented on prior releases. Even if you are satisfied with your current version, I really encourage you to give this one a spin. It’s very alive from top to bottom and doesn’t show even the slightest indication of artificial enhancements or filtering.
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This is one fantastic sounding pressing of this album. Prepare for the gut punch that is “Apocalyse in 9/8!”
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Aside from the reported pops others have noted on side 3 (which on my copy is present even after an ultrasonic cleaning), this pressing is very good. Bass pedals hit me right in the solar plexus. A fantastic listening experience!
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The music itself sounds fantastic…but it’s clear that the artwork and photographs used are scans. A small complaint in an otherwise brilliant package. -
Experienced some popping on Supper’s Ready so got a replacement copy, same issue in the same place. Wondering if it’s a pressing issue? -
Edited 3 years agoSound is pretty full, warm and clear. Bass pedals shake. Some complaints about the mix, which I think is a product of the remixing / remastering from the mid-2000s: Hackett is totally buried throughout; Phil's count-in on Squonk is strangely truncated (one beat?); the phaser-y sort of reverb throughout, especially on the top end of the drums and vocals from the original mix (which I kind of liked) isn't there; though Phil's vocal introduction "Supper's Ready" that was absent from the remastered CDs is back. A solid job. Bad skips at the beginning of Side 3 out of the sleeve.
EDIT: after a few more listens, I’m really starting to like this — drum sounds are particularly natural and live sounding. Definitely a keeper! -
Release
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