Decadance (2) – On And On (Fears Keep On)
Label: |
Mannequin – MNQ 055 |
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Format: |
Vinyl
, 12", 45 RPM, Reissue
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Country: |
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Released: |
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Genre: |
Electronic |
Style: |
New Wave |
Tracklist
| A | On And On (Fears Keep On) | |
| B | On And On (Fears Keep On) (Dub Version) |
Companies, etc.
- Published By – Targa Italiana S.r.l.
- Produced For – Proto Records & Tapes
- Manufactured By – AGR Manufacturing
- Pressed By – GZ Media – 177791M
Credits
- Cover – Roby Farina
- Mixed By – Bocat*
- Mixed By, Written-By – Multiplayback
- Performer [Sintethizer & MC4 Roland Computer], Programmed By [Sintethizer & MC4 Roland Computer] – William Marino
- Producer – Farina*
- Remastered By – Rude 66
- Written-By – Marino*
Notes
Special thanks to Claudio Pisani
Barcode and Other Identifiers
- Matrix / Runout (Runout side A, stamped): 177791M1/B WWW.AGRM.CO.UK
- Matrix / Runout (Runout side B, stamped): 177791M2/B1 WWW.AGRM.CO.UK
Other Versions (5 of 9)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Needs Changes
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On And On (Fears Keep On) (12", 33 ⅓ RPM, Stereo) | Proto Records (2) | NSMIX 2007 | Italy | 1983 | ||
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Recently Edited
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On And On (Fears Keep On) (12", 45 RPM, Reissue, Grey) | Mannequin | ARFON 01, MNQ 055 | Italy | 2014 | ||
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Recently Edited
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On And On (Fears Keep On) (12", 45 RPM, Numbered, Reissue, Blue) | Mannequin | ARFON 01, MNQ 055 | Italy | 2014 | ||
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Recently Edited
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On And On (Fears Keep On) (12", 45 RPM, Reissue, Stereo) | Mannequin | ARFON 01 | Italy | 2014 | ||
| On And On (Fears Keep On) (12", 45 RPM, Numbered, Reissue, Art Edition) | Mannequin | ARFON 01 | Italy | 2014 |
Recommendations
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2017 UKVinyl —12", 33 ⅓ RPM, Album, Reissue, Repress -
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Reviews
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I haven't heard the original release of course, but besides that, I strongly believe that this release is the best way to enjoy this classic. For my ears, the quality is amazing. Zero surface noise, strong and warm sound, much better than any digital form out there.
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Edited 4 years agoin reply to the comments below: I did the mastering for this particular pressing.
Because this is in my alltime italo top 3, i tried very much to leave it alone as much as possible, so no 'modernizing' was done.
I tried to focus on making it sound a bit less harsh and enjoyable to play both in a club and at home.
I can not say with certainty where the master files came from, but they had this distortion already in it.
I frequently restore old masters from tapes for vinyl reissues, and this stuff happens a lot: tapes lay for 40 years in moldy, dusty attics and sheds, and god knows where else.
In this particular case, what doesn't help is that the track builds to a crescendo at the very end, which is exactly where the vinyl quality due to groove distortion is the absolute worst. This is a track that originally would have benefitted greatly from being pressed to play insde out. You can do a lot of magic in audio restauration these days, but there is a limit. The somewhat shady quality adds to the vibe of the track in my opinion, and it was an honour to work on it. -
I doubt the distortion is any fault of new mastering. I get the feeling these guys didn't store their masters w a lot of care. If you check out some of their other releases under different names, like Wanexa 'Man from Colours' there's a part where the tape was obviously eaten up. It is what it is and there's plenty of awesome music within those mishaps.
Release
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