Makaya McCraven – Universal Beings
Label: |
International Anthem Recording Company – IARC 0022 |
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Format: |
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Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Free Improvisation |
Tracklist
New York Side | |||
1-1 | A Queen's Intro | ||
1-2 | Holy Land | ||
1-3 | Young Genius | ||
1-4 | Black Lion | ||
1-5 | Tall Tales | ||
1-6 | Mantra | ||
Chicago Side | |||
1-7 | Pharaoh's Intro | ||
1-8 | Atlantic Black | ||
1-9 | Inner Flight | ||
1-10 | Wise Man, Wiser Woman | ||
1-11 | Prosperity's Fear | ||
London Side | |||
2-12 | Flipped OUT | ||
2-13 | Voila | ||
2-14 | Suite Haus | ||
2-15 | The Newbies Lift Off | ||
2-16 | The Royal Outro | ||
Los Angeles Side | |||
2-17 | The Count Off | ||
2-18 | Butterss's | ||
2-19 | Turtle Tricks | ||
2-20 | The Fifth Monk | ||
2-21 | Brighter Days Beginning | ||
2-22 | Universal Beings |
Companies, etc.
- Manufactured By – Disc Makers – MCH4091
- Manufactured By – Disc Makers – MCH4092
Credits
- Alto Saxophone – Josh Johnson (13) (tracks: 2-17 to 2-22)
- Cello – Tomeka Reid (tracks: 1-1 to 1-11)
- Cover, Artwork – Damon Locks
- Design [Insert] – Craig Hansen (2)
- Double Bass – Dezron Douglas (tracks: 1-1 to 1-6)
- Double Bass, Percussion – Junius Paul (tracks: 1-7 to 1-11)
- Drums – Makaya McCraven
- Electric Piano [Rhodes] – Ashley Henry (tracks: 2-12 to 2-16)
- Executive-Producer – Scott McNiece
- Guitar – Jeff Parker (tracks: 2-17 to 2-22)
- Harp – Brandee Younger (tracks: 1-1 to 1-6)
- Percussion – Carlos Niño (tracks: 2-17 to 2-22)
- Photography By [Portrait] – Fabrice Bourgelle*
- Producer – Makaya McCraven
- Recorded By, Mixed By – David Allen (10)
- Tenor Saxophone – Shabaka Hutchings (tracks: 1-7 to 1-11)
- Vibraphone – Joel Ross (3) (tracks: 1-1 to 1-6)
- Violin – Miguel Atwood-Ferguson (tracks: 2-17 to 2-22)
Notes
Housed in a gatefold card sleeve. No booklet.
New York Side: Recorded August 29th, 2017, at H0I0 in Ridgewood, New York.
Chicago Side: Recorded September 2nd, 2017, at Co-Prosperity Sphere in Bridgeport, Chicago, Illinois.
London Side: Recorded October 19th, 2017, at Total Refreshment Studios in Stoke Newington, London, UK.
Los Angeles Side: Recorded January 30th, 2018, at Jeff Parker's House in Altadena, California.
New York Side: Recorded August 29th, 2017, at H0I0 in Ridgewood, New York.
Chicago Side: Recorded September 2nd, 2017, at Co-Prosperity Sphere in Bridgeport, Chicago, Illinois.
London Side: Recorded October 19th, 2017, at Total Refreshment Studios in Stoke Newington, London, UK.
Los Angeles Side: Recorded January 30th, 2018, at Jeff Parker's House in Altadena, California.
Barcode and Other Identifiers
- Barcode (Text): 6 03784 91207 3
- Matrix / Runout (Variant 1 - CD1): MCH4091 [DISC MAKERS logo]
- Mastering SID Code (Variant 1 - CD1): IFPI LZ72
- Mould SID Code (Variant 1 - CD1): IFPI ALK15
- Matrix / Runout (Variant 1 - CD2): MCH4092 [DISC MAKERS logo]
- Mastering SID Code (Variant 1 - CD2): IFPI LZ72
- Mould SID Code (Variant 1 - CD2): IFPI ALK15
- Matrix / Runout (Variant 2 - CD1): MCH4091 [DISC MAKERS logo]
- Mastering SID Code (Variant 2 - CD1): IFPI LZ72
- Mould SID Code (Variant 2 - CD1): IFPI ALK14
- Matrix / Runout (Variant 2 - CD2): MCH4092 [DISC MAKERS logo]
- Mastering SID Code (Variant 2 - CD2): IFPI LZ71
- Mould SID Code (Variant 2 - CD2): IFPI ALK14
Other Versions (5 of 8)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission
|
Universal Beings (2×LP, Limited Edition, Bone White & Black) | International Anthem Recording Company | IARC0022 | US | 2018 | ||
Recently Edited
|
Universal Beings (2×LP, Album) | International Anthem Recording Company | IARC0022 | US | 2018 | ||
New Submission
|
Universal Beings (2×CD, Album) | P-Vine Records | PCD-18850/1 | Japan | 2018 | ||
New Submission
|
Universal Beings (2×CD, Album, Promo) | International Anthem Recording Company | IARC 0022 | US | 2018 | ||
New Submission
|
Universal Beings (2×CD, Album, Promo, paper sleeve) | P-Vine Records | PCD-18850/1 | Japan | 2018 |
Recommendations
Reviews
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I'm torn about McCraven. I like the dedication, the raw poetry and the muscular energy of his music. It‘s truly breathing the joy of creation!
But I don‘t know. Sometimes, his grooves are so thick and the vibe so masculine that it sounds like a heavy dude fart hanging in the air in a club, sabotaging the romantic tension between two lovers. I mean, who wants to smell a bro fart when you want to enjoy a deeper connection? This is the feeling I get from his style. I want to dig his enthusiam and artistry, but there I am, suddenly thinking:
"Sounds like pressure farting in a sticky room."
And then I have this vivid image in my mind: two young lovers with pleasently adult sensibilities visiting a McCraven Live Performance. Enjoying the lifestyle attitude of the place. McCraven starting to play with his band. Getting more intense. Starting to improvise, riding the moment. Air getting thick with excitment. And then all that masculine energy floods like a sweaty fart wave over the audience. The lovers are engulfed. BUT! Her guy is loving it! He is hypnotised by the heavy drum grooves and alpha male energy! ... and she's subtly turned off. Observing the transformation of her man. Like he's back in college, dwelling in those sticky dorm rooms again, playing beer pong and smoking dope. A rather unexpected regress indeed! But she plays along in the bro fart atmosphere. Nodding her head to the beat. Dancing with a forced smile. Would be strange to stop having fun on a nice evening, wouldn‘t it? So outwardly, everyone has fun, and they DO have fun! Yet inside, there is this tiny residue of disgust. But she can’t put a finger on it. Then, witnessing her spellbound boyfriend, a thought intrudes her mind:
„He REALLY enjoys farting.“
Well, of course he does, but the sudden flash of insight hits her with unpleasent force. Like a squirmy idea you don’t want to have, but can’t stop thinking about. The gig goes on, and in the end, it‘s really nothing serious at all. The love will not fade. Of course it won‘t! But after the night ends, the creeping rift between them will linger for a few days. Erotic tension might be a bit subdued. „What‘s wrong?“ „Oh nothing, just too much work...“. The emotional corrosion will hang in the air like, yeah, a stubborn fart. Then everything will get back to normal for the two lovers, because time will sweep that smelly episode unter the rug of oblivion. And so their adult progress can continue.
Well, I don‘t know what to make of my reaction. It‘s definitely not McCravens fault, but mine. Because really, he‘s creating beautiful music. It‘s all just a bit…bro farty, you know?
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