David Byrne – My Life In The Bush Of Ghosts
Tracklist
A1 | America Is Waiting | 3:36 | |
A2 | Mea Culpa | 3:45 | |
A3 | Regiment | 3:56 | |
A4 | Help Me Somebody | 4:18 | |
A5 | The Jezebel Spirit | 5:00 | |
B6 | Qu'ran | 3:46 | |
B7 | Moonlight In Glory | 4:46 | |
B8 | The Carrier | 3:30 | |
B9 | A Secret Life | 2:30 | |
B10 | Come With Us | 2:38 | |
B11 | Mountain Of Needles | 2:35 |
Companies, etc.
- Record Company – Deutsche Grammophon GmbH
- Phonographic Copyright ℗ – E.G. Records Ltd.
- Copyright © – E.G. Music Ltd.
- Copyright © – Warner Bros. Music
- Recorded At – RPM Studios
- Recorded At – Blue Rock Studio
- Recorded At – Eldorado Recording Studios
- Recorded At – Different Fur Studios
- Recorded At – Sigma Sound Studios, New York
- Mastered At – Sterling Sound
- Lacquer Cut At – PRS Hannover
- Pressed By – PRS Hannover
- Printed By – Gerhard Stalling AG
Credits
- Cover – Brian Eno
- Engineer [Assistant At Blue Rock] – Michael Ewasko
- Engineer [Assistant At Different Fur] – Howard Johnston
- Engineer [Assistant At Eldorado] – George Sloane
- Engineer [Assistant At Rpm] – Hugh Dwyer*
- Engineer [At Blue Rock] – Eddie Korvin
- Engineer [At Different Fur] – Stacy Baird
- Engineer [At Eldorado] – Dave Jerden
- Engineer [At Rpm] – Neal Teeman
- Engineer [At Sigma] – John Potoker
- Guitar, Bass, Synthesizer, Drums, Percussion, Performer [Found Objects] – David Byrne
- Mastered By – Greg Calbi
- Producer – David Byrne
- Typography – Peter Saville (2)
- Written-By – Byrne*
Notes
Studios:
RPM, New York, August 4 & 16, 1979.
Blue Rock, New York, September 5, 1979.
Eldorado, Los Angeles, February & March 1980.
Different Fur, San Francisco, April 1980.
Sigma, New York, October 1980.
Mastered at Sterling Sound.
Voices:
1. Unidentified indignant radio host, San Francisco, April 1980.
2. Inflamed caller and smooth politician replying, both unidentified. Radio call-in show, New York, July 1979.
3. Dunya Yusin, Lebanese mountain singer (From 'The Human Voice in the World of Islam' Tangent Records TGS 131).
4. Reverend Paul Morton, broadcast sermon, New Orleans, June 1980.
5. Unidentified exorcist, New York, September 1980.
6. Algerian Muslims chanting Qu'ran. (Same source as 3).
7. The Moving Star Hall Singers, Sea Islands, Georgia (From 'The Moving Star Hall Singers' Folkways FS 3841).
8. (See 3).
9. Samira Tewfik, Egyptian popular singer. (From 'Les Plus Grandes Artistes du Monde Arabe' EMI Records).
10. Unidentified radio evangelist, San Francisco, April 1980.
"Special thanks to Dave Jerden."
The tracks are numbered from 1 to 11 on the release.
Title from a novel by Amos Tutuola.
On later editions of this album the track "Qu'ran" was ommited because of religious reasons.
℗ 1981 EG Records Ltd.
© EG Records Ltd/Warner Bros. Music 1980
Matrix codes are stamped entirely.
Embossed "PRS Hannover" stamp on back cover.
"Made in West " on labels.
RPM, New York, August 4 & 16, 1979.
Blue Rock, New York, September 5, 1979.
Eldorado, Los Angeles, February & March 1980.
Different Fur, San Francisco, April 1980.
Sigma, New York, October 1980.
Mastered at Sterling Sound.
Voices:
1. Unidentified indignant radio host, San Francisco, April 1980.
2. Inflamed caller and smooth politician replying, both unidentified. Radio call-in show, New York, July 1979.
3. Dunya Yusin, Lebanese mountain singer (From 'The Human Voice in the World of Islam' Tangent Records TGS 131).
4. Reverend Paul Morton, broadcast sermon, New Orleans, June 1980.
5. Unidentified exorcist, New York, September 1980.
6. Algerian Muslims chanting Qu'ran. (Same source as 3).
7. The Moving Star Hall Singers, Sea Islands, Georgia (From 'The Moving Star Hall Singers' Folkways FS 3841).
8. (See 3).
9. Samira Tewfik, Egyptian popular singer. (From 'Les Plus Grandes Artistes du Monde Arabe' EMI Records).
10. Unidentified radio evangelist, San Francisco, April 1980.
"Special thanks to Dave Jerden."
The tracks are numbered from 1 to 11 on the release.
Title from a novel by Amos Tutuola.
On later editions of this album the track "Qu'ran" was ommited because of religious reasons.
℗ 1981 EG Records Ltd.
© EG Records Ltd/Warner Bros. Music 1980
Matrix codes are stamped entirely.
Embossed "PRS Hannover" stamp on back cover.
"Made in West " on labels.
Barcode and Other Identifiers
- Rights Society: GEMA
- Label Code: LC 0309
- Matrix / Runout (Runout side A: variant 1): 2302 100 S 1 320 1A P
- Matrix / Runout (Runout side B: variant 1): 2302 100 S 2 320
- Matrix / Runout (Runout side A: variant 2): 2302 100 S 1 320 1 L
- Matrix / Runout (Runout side B: variant 2): 2302 100 S 1 320 1 O
- Matrix / Runout (Runout side A: variant 3): 2302 100 S 1 320 1A X
- Matrix / Runout (Runout side B: variant 3): 2302 100 S 2 320 1 A
- Matrix / Runout (Runout side A: variant 4): 2302 100 S 1 320 1A P
- Matrix / Runout (Runout side B: variant 4): 2302 100 S 1 320 1 O
Other Versions (5 of 109)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
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My Life In The Bush Of Ghosts (LP, Album, Winchester Pressing) | Sire | SRK 6093 | US | 1981 | ||
Recently Edited
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My Life In The Bush Of Ghosts (LP, Album, Stereo, Editions EG Labels) | Polydor | 2302 100 | Netherlands | 1981 | ||
Recently Edited
|
My Life In The Bush Of Ghosts (LP, Album) | EG | 2302 100 | 1981 | |||
Recently Edited
|
My Life In The Bush Of Ghosts (LP, Album, Impact Records Pressing) | Sire | XSR 6093 | Canada | 1981 | ||
Recently Edited
|
My Life In The Bush Of Ghosts (Cassette, Album) | Sire | M5S 6093 | US | 1981 |
Recommendations
Reviews
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Edited one year agoA brilliant sounding German pressing of probably one of the most important records of the last century, important then and in our present time. And it takes a lot of good English to explain, why and how. To give it a try: There are a lot of voices of religious heritage besides each other from track to track, beautiful or menacing or both at the same time, Christian, Islam, and other, more obscure ones, framed with sound without any animosity towards any of them, acknowledging each one's validity simply by embedding them in brilliant music. And there are at the same time political voices, that practice treason on themselves just by the way they sound, while serving again the beauty of the music. Speaking of the music, highlights are and have been at the time of their release: "The Jezebel Spirit", a Disco classic from the times of the famous Paradise Garage in NYC (that there was to be heard an unidentified exorcist in this dance track was of no importance for the dancers, probably they took it as an interesting atmospheric sound). Regiment, another dance music for New Wave Clubs and Punk venues, very intense, with the voice of a female Lebanese mountain singer. "Help Me Somebody", again made for dancing yourself into a trance. The beautiful "Moonlight In Glory" you might hear while driving a car though a lonely night somewhere in the countryside. And last but not least the first track on side B, that later was cancelled (cancel culture already then) in later releases, just because some religious people would not accept, that their beautiful and holy lyrics would be used for a magnificent piece of art, and will threaten the life of people who would dare to release this kind of art. Talking about culture(s). And the knowledge about tolerance, that comes with that. All this is very actual today (<very bad English, translated intoa little better English: all this is very up-to-date)
Release
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