The Flaming Lips – The Soft Bulletin
Label: |
Warner Bros. Records – 9 46876-2 |
|---|---|
Format: |
CD
, HDCD, Album
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Noise Rock |
Tracklist
| 1 | Race For The Prize (Remix) | 4:09 | |
| 2 | A Spoonful Weighs A Ton | 3:32 | |
| 3 | The Spark That Bled | 5:55 | |
| 4 | The Spiderbite Song | 4:02 | |
| 5 | Buggin' (Remix) | 3:16 | |
| 6 | What Is The Light? | 4:05 | |
| 7 | The Observer | 4:11 | |
| 8 | Waitin' For A Superman | 4:17 | |
| 9 | Suddenly Everything Has Changed | 3:54 | |
| 10 | The Gash | 4:02 | |
| 11 | Feeling Yourself Disintegrate | 5:17 | |
| 12 | Sleeping On The Roof | 3:09 | |
| 13 | Race For The Prize | 4:18 | |
| 14 | Waitin' For A Superman (Remix) | 4:19 |
Companies, etc.
- Record Company – Time Warner
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Copyright © – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – WEA International Inc.
- Manufactured By – WEA Manufacturing
- Published By – Lovely Sorts of Death
- Published By – EMI Blackwood Music Inc.
- Mastered At – Future Disc
- Glass Mastered At – WEA Mfg. Olyphant – Y7267
- Pressed By – WEA Mfg. Olyphant
Credits
- A&R – David Katznelson
- Design, Layout – George Salisbury
- Mastered By – Steve Hall
- Mixed By – The Flaming Lips
- Mixed By [Additional] – Peter Mokran (tracks: 1, 5, 14)
- Music By, Songwriter, Recorded By – The Flaming Lips
- Performer – Wayne Coyne
- Photography By [Cover Photo] – Lawrence Schiller
- Producer – The Flaming Lips
- Producer [Additional] – Peter Mokran (tracks: 1, 5, 14)
- Recorded By – Dave Fridmann
Notes
The Soft Bulletin was recorded in Cassadaga, New York April 1997-February 1999.
Mastered at Future Disc Systems.
Encoded as HDCD, but no features are enabled:
HDCD detected: yes (B:70034), peak_extend: never enabled, max_gain_adj: 0.0 dB, transient_filter: not detected, detectable errors: 0
Cover photo by Lawrence Schiller ©1966
© ℗ 1999 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S.
©1999 Lovely Sorts of Death/EMI Blackwood Music Inc. BMI
HDCD® and High Definition Compatible Digital® are ed trademarks of Pacific Microsonics, Inc.
Mastered at Future Disc Systems.
Encoded as HDCD, but no features are enabled:
HDCD detected: yes (B:70034), peak_extend: never enabled, max_gain_adj: 0.0 dB, transient_filter: not detected, detectable errors: 0
Cover photo by Lawrence Schiller ©1966
© ℗ 1999 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S.
©1999 Lovely Sorts of Death/EMI Blackwood Music Inc. BMI
HDCD® and High Definition Compatible Digital® are ed trademarks of Pacific Microsonics, Inc.
Barcode and Other Identifiers
- Barcode (Text): 0 9362-46876-2 7
- Barcode (Scanned): 093624687627
- Rights Society: BMI
- Matrix / Runout (Variant 1): ['wea mfg. OLYPHANT' logo] Y7267 1 46876-2 01 M1S2
- Mastering SID Code (Variant 1): IFPI L903
- Mould SID Code (Variant 1): IFPI 2U2Q
- Matrix / Runout (Variant 2): ['wea mfg. OLYPHANT' logo] Y7267 1 46876-2 01 M1S2
- Mastering SID Code (Variant 2): IFPI L903
- Mould SID Code (Variant 2): IFPI 2U7A
- Matrix / Runout (Variant 3): ['wea mfg. OLYPHANT' logo] Y7267 1 46876-2 01 M1S1
- Mastering SID Code (Variant 3): IFPI L903
- Mould SID Code (Variant 3): IFPI 2U3U
- Matrix / Runout (Variant 4): ['wea mfg. OLYPHANT' logo] Y7267 1 46876-2 01 M3S6
- Mastering SID Code (Variant 4): IFPI L903
- Mould SID Code (Variant 4): IFPI 2U8C
- Matrix / Runout (Variant 5): ['wea mfg. OLYPHANT' logo] Y7267 1 46876-2 01 M1S3
- Mastering SID Code (Variant 5): IFPI L903
- Mould SID Code (Variant 5): IFPI 2U3S
- Matrix / Runout (Variant 6): ['wea mfg. OLYPHANT' logo] Y7267 1 46876-2 01 M3S2
- Mastering SID Code (Variant 6): IFPI L903
- Mould SID Code (Variant 6): IFPI 2U7B
- Matrix / Runout (Variant 7): ['wea mfg. OLYPHANT' logo] Y7267 1 46876-2 01 M3S3
- Mastering SID Code (Variant 7): IFPI L903
- Mould SID Code (Variant 7): IFPI 2U8D
- Matrix / Runout (Variant 8): ['wea mfg. OLYPHANT' logo] Y7267 1 46876-2 01 M1S2
- Mastering SID Code (Variant 8): IFPI L903
- Mould SID Code (Variant 8): IFPI 2U3S
Other Versions (5 of 36)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Soft Bulletin (CD, HDCD, Album) | Warner Bros. Records | 9362-47393-2 | Europe | 1999 | |||
|
Recently Edited
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The Soft Bulletin (CD, HDCD, Album) | Warner Bros. Records | CDW 46876 | Canada | 1999 | ||
|
Recently Edited
|
The Soft Bulletin (CD, Advance, Album, Promo) | Warner Bros. Records | 2-46876-AB | US | 1999 | ||
|
Recently Edited
|
The Soft Bulletin (CD, Album) | Warner Bros. Records | 9362473932 | Australia | 1999 | ||
|
New Submission
|
The Soft Bulletin (CD, Album) | Warner Bros. Records | 936246876-2 | Brazil | 1999 |
Recommendations
Reviews
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does anyone elses cd copy have an emblem of a skeleton instead of the warner logo ?? i just recieved my copy that i bought from official sources so im very confused. -
Edited 6 years agoReally 2019 is coming remix this without the digital explosive crap on certain songs. I understood the point in 1999 but just don't mix any instrument in the RED please and take those digital tics out of there. 20 th anniversary of The Soft Bulletin REMIXED DONE RIGHT.
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Edited 7 years agoThe music on this albums is incredible. It's an absolute trip with some very catchy psychedelic pop and it incorporates some interesting progressive elements as well. In of the Master, just buy the LP. This album isn't worthy of being on HDCD. It's too loud, distorted and compressed, just don't buy the HDCD version of this album. the standard redbook CD version of "At War With the Mystics," sounds more detailed, dynamic and clean than the HDCD copy of Soft Bulletin. (Mystics is still quite compressed, just not as badly as this one).
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Quite simply, one of the best psychedelic rock records of all time. Emotive, evocative, funny, sad, gross, grandiose. I bought it the day it came out, and that weekend in the early summer of '99 saw them perform this record live, having given the audience headphones and broadcasting the show on a low-frequency radio station, so essentially we were listening to them on FM radio while watching them perform in front of us, fake blood, glitter and all. There is only one Flaming Lips. Cherish them obnoxiously.
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