Tracklist
| A | Justified & Ancient (Stand By The Jams) | 3:37 | |
| B | Justified And Ancient ("The White Room" Version) | 5:04 |
Companies, etc.
- Published By – E.G. Music
- Published By – Zoo Music Publishing
- Published By – Warner/Chappell Music
- Published By – BMG Music
- Phonographic Copyright ℗ – KLF Communications
- Copyright © – KLF Communications
- Pressed By – Damont
- Lacquer Cut At – The Town House
- Mastered At – Lyntone Recordings Ltd. – LYN29627
- Mastered At – Lyntone Recordings Ltd. – LYN29628
- Recorded At – Trancentral
- Recorded At – Lillie Yard Studio
- Engineered At – Lillie Yard Studio
- Mixed At – Olympic Studios
- Mixed At – Lillie Yard Studio
- Distributed By – RTM (2)
- Distributed By – APT (2)
Credits
- Electric Guitar, Bass, Drums, Keyboards – Rockman Rock*
- Keyboards, Programmed By – Nick Coler
- Mixed By – Mark 'Spike' Stent* (tracks: A)
- Photography By – Paul Graham (2)
- Producer – The KLF
- Recorded By [Additional Recording], Engineer [Additional Engineering] – Paul "Max" Bloom
- Sleeve – Designland
- Written-By – R. Lyte* (tracks: A)
Notes
Pressed at Damont
Mastered at Townhouse Studios, London.
Metalworks by Lyntone Recordings Ltd.
Other data: "Stand by your van"
Sleeve Notes:.
Additional Recording and Engineering at Lillie Yard with J. Gordon-Hastings assisted by Paul 'Max' Bloom.
A side mixed at Olympic with Mark 'Spike' Stent
B side mixed at Lillie Yard with J. Gordon-Hastings.
Some copies issued as a promo with release date sticker applied to front of picture sleeve.
Mastered at Townhouse Studios, London.
Metalworks by Lyntone Recordings Ltd.
Other data: "Stand by your van"
Sleeve Notes:.
Additional Recording and Engineering at Lillie Yard with J. Gordon-Hastings assisted by Paul 'Max' Bloom.
A side mixed at Olympic with Mark 'Spike' Stent
B side mixed at Lillie Yard with J. Gordon-Hastings.
Some copies issued as a promo with release date sticker applied to front of picture sleeve.
Barcode and Other Identifiers
- Barcode (Text): 5 017139 199999
- Barcode (Scan): 5017139199999
- Matrix / Runout (Runout, Side A, Variation 1): DAMONT LYN29627 KLF 99 A² 2 TOWNHOUSE
- Matrix / Runout (Runout, Side B, Variation 1): DAMONT LYN29628 TOWNHOUSE KLF 99 B² L̶Y̶N̶
- Matrix / Runout (Runout, Side A, Variation 2): B LYN29627 DAMONT KLF 99 A² 2 TOWNHOUSE — LYN 2962(scribbled out)27
- Matrix / Runout (Runout, Side 2, Variation 2): B LYN29628 DAMONT TOWNHOUSE KLF 99 B² —
Other Versions (5 of 68)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Justified & Ancient (12", 45 RPM) | KLF Communications | COMA 127023, COMA 127 023, KLF 99X | Scandinavia | 1991 | ||
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Justified & Ancient (12", 33 ⅓ RPM, Single) | KLF Communications | KLF 99X | UK | 1991 | ||
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Justified & Ancient (12", 45 RPM, Maxi-Single) | KLF Communications | INT 125.925 | 1991 | |||
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Recently Edited
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Justified & Ancient (CD, Maxi-Single) | Dance Pool | DAN 657682 2, 657682 2 | 1991 | |||
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Recently Edited
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Justified & Ancient (CD, Maxi-Single) | Blow Up | INT 825.925 | 1991 |
Recommendations
Reviews
-
The "Group" of a generation, the ultimate creative duo that defined a genre, creating "banger" after "banger" and floor filler after floor filler. The definition of themselves was as artists spreading chaos through music.
If you have any of their releases, keep hold of them and take care of them. Why? Well, they had some pretty crazy, anarchic traits from writing a vow of silence on a car to burning £1,000,000 on a remote Scottish island, but they also deleted their entire back catalogue when they exited the music business.
Although having Tammy Wynette as the main vocalist on this single went against the ethos of the group, it really works (in my opinion).
The early workings featuring "Maxine's vocal" they felt wasn't working, so much so that they nearly dropped the single completely. They were working on "The White Room" album and re-did a version using the talents of Errol Nicholson and through some thought processes, decided to ask Tammy Wynette to guest vocal for the chart release -
Edited 3 years agoI always wondered why they even bothered to make the "All Bound For Mu-Mu Land" version with Maxine's vocals at all...it was having Tammy's name on the record that really made people take notice, and I thought the whole point of making the "dance" version of the song in the first place was to make Tammy the star of it.
Release
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