The Jesus And Mary Chain – Honey's Dead
Label: |
Blanco Y Negro – 9031-76554-1 |
|---|---|
Format: |
Vinyl
, LP, Album, Stereo
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
| A1 | Reverence | 3:41 | |
| A2 | Teenage Lust | 3:05 | |
| A3 | Far Gone And Out | 2:49 | |
| A4 | Almost Gold | 3:17 | |
| A5 | Sugar Ray | 4:37 | |
| A6 | Tumbledown | 4:10 | |
| B1 | Catchfire | 4:47 | |
| B2 | Good For My Soul | 3:01 | |
| B3 | Rollercoaster | 3:44 | |
| B4 | I Can't Get Enough | 2:57 | |
| B5 | Sundown | 4:58 | |
| B6 | Frequency | 1:18 |
Companies, etc.
- Phonographic Copyright ℗ – Warner Music UK Ltd.
- Copyright © – Warner Music UK Ltd.
- Made By – Warner Music Manufacturing Europe
- Recorded At – The Drugstore
- Published By – Honey Songs
- Published By – BMG Music Publishing Ltd.
- Pressed By – WMME Alsdorf
- Record Company – Time Warner
Credits
- Drums – Monti* (tracks: A2 to A6, B3 to B5)
- Engineer – Alan Moulder (tracks: A1 to B2, B4 to B6)
- Mixed By – Alan Moulder
- Photography By [Black Sleeve] – Andy Catlin*
- Producer – William Reid
- Written-By – Reid*
Notes
A similar release exists with black band on the front cover has different dimensions
Jim sings seven songs and William sings five songs
Track A6: Contains a sample of Einstürzende Neubauten's Tanz Debil (Kollaps, 1981) starting at 1:25 and lasting for roughly 18 seconds
Track B3: ℗ 1990 Warner Music UK Ltd.
℗ 1992 Warner Music UK Ltd.
© 1992 Warner Music UK Ltd.
Made in by Warner Music Manufacturing Europe
Runouts side A and B, variant 2: the "6" is etched.
Runouts side A, variant 3: the "20" is etched.
Tracks are numbered sequentially across the release, 1 to 12.
Jim sings seven songs and William sings five songs
Track A6: Contains a sample of Einstürzende Neubauten's Tanz Debil (Kollaps, 1981) starting at 1:25 and lasting for roughly 18 seconds
Track B3: ℗ 1990 Warner Music UK Ltd.
℗ 1992 Warner Music UK Ltd.
© 1992 Warner Music UK Ltd.
Made in by Warner Music Manufacturing Europe
Runouts side A and B, variant 2: the "6" is etched.
Runouts side A, variant 3: the "20" is etched.
Tracks are numbered sequentially across the release, 1 to 12.
Barcode and Other Identifiers
- Barcode (Text): 0 9031-76554-1 3
- Barcode (String): 090317655413
- Rights Society: GEMA/BIEM
- Label Code: LC 4281
- Price Code (): WE 391
- Price Code (Circled): U
- Matrix / Runout (Side A runout, variant 1): WMME Alsdorf 903 176554-1-A2
- Matrix / Runout (Side B runout, variant 1): WMME Alsdorf 903 176554-1-B
- Matrix / Runout (Side A runout, stamped, variant 2): WMME Alsdorf 903 176554-1-A2 6
- Matrix / Runout (Side B runout, stamped, variant 2): WMME Alsdorf 903 176554-1-B 6
- Matrix / Runout (Side A runout, stamped, variant 3): WMME Alsdorf 903 176554-1-A2 20
- Matrix / Runout (Side B runout, stamped, variant 3): WMME Alsdorf 903 176554-1-B 6
Other Versions (5 of 56)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Honey's Dead (CD, Album, Specialty Records Pressing) | Blanco Y Negro | 9 26830-2 | US | 1992 | ||
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Recently Edited
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Honey's Dead (CD, Album) | Blanco Y Negro | 9031-76554-2 | Europe | 1992 | ||
|
Recently Edited
|
Honey's Dead (Cassette, Album) | Blanco Y Negro | BYNC26, 9031-76554-4 | Europe | 1992 | ||
|
Recently Edited
|
Honey's Dead (CD, Album) | Blanco Y Negro | CD 76554 | Canada | 1992 | ||
|
New Submission
|
Honey's Dead (LP, Album) | Croatia Records | BYN 26, 9031-76554-1, LP-7-S 2036691 | Croatia | 1992 |
Recommendations
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1988 UK & EuropeVinyl —LP, Compilation, Stereo -
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Reviews
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Holy LORD... this LP is such killer jam. It is definitely my fave JAMC but beyond that this pressing is absolutely dead quiet, sonically groovy, and just blows my mind. I bought this the week it was released and my copy is still NM. I wanna die on a sunny day, I wanna die just like JFK. -
This album is essentially the JAMC chassis on top of the Curve / Alan Moulder engine and wheels. To wit: 1992 perfection. Just sinuous, heavy, clattering beats, low bass, an almost electronic backbone topped with layers of shakers and percussion. With the Reid boys overseeing it from above with distorted guitars shellacking the entire thing with warm fuzz. Classic.
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How does this LP sound? I'm currently torn between buying this, and the Demon reissue. (Loved how Stoned and Dethroned sounded in their pressing)
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Another great album from JAMC. Before I put the needle down I thought; "ok, its 1992, you've got the American Grunge sound, the new British Alternative sound of Suede (that will soon become Brit-Pop) and the sound of Madchester which is beginning to fade but whose influence can still be heard in the records of Morrissey etc. etc.”... This is all clear when you play the album, the first track fulfils all this. Great album, great music, all the above influences + the unmistakeably unique sound of JAMC.
Release
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Recently Edited
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