S.P.K.*Auto-Da-Fé

Label:

Walter Ulbricht Schallfolien – WULP 002

Format:

Vinyl , LP, Compilation

Country:

Released:

Genre:

Electronic

Style:

Industrial

Tracklist

A1 Kontakt
A2 Germanik
A3 Mekano
A4 Retard
A5 Slogun
B1 Metall Field
B2 Walking On Dead Steps
B3 A Heart That Breaks In No Time Or Place

Credits

  • ArtworkS.P.K. London*
  • ProducerUli Rehberg

Notes

Side A originally released on various singles in 1979.
Side B new studio recordings for this LP made in 1981.

First 1000 copies had a blue/grey cover which was later replaced as the group seemed unhappy with it.
This first edition never came with a postcard

Other Versions (5 of 14)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Auto-Da-Fé (LP, Compilation, Misprint) Walter Ulbricht Schallfolien WULP 002 1983
Auto-Da-Fé (LP, Compilation, Repress) Walter Ulbricht Schallfolien WULP 002 1983
New Submission
Auto-Da-Fé (LP, Repress, Compilation) Walter Ulbricht Schallfolien WULP 002 1983
New Submission
Auto-Da-Fé (LP, Compilation, Reissue) SMS Records SP25-5265 Japan 1986
New Submission
Auto Da Fe (Cassette, Compilation, Promo) The Grey Area SPK 4 CD UK 1992

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  • In Flagrante Delicto
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  • T.V.O.D. / Warm Leatherette
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  • Discipline
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Reviews

  • TeknoPunc's avatar
    TeknoPunc
    I know this is a compilation, but this will forever be my favorite release from SPK. Standout tracks are "Slogun" and "Metall Field". A must-have for any fan of early industrial music or synth minimalism.
    • Crijevo's avatar
      Crijevo
      Edited 8 years ago
      Without doubt, SPK's finest hour/s. A proper introduction to start and catch up with their work between the extreme (past) and the accessible (future).

      The "junk" here sounds less funky but definitely more appealing in provoking thought. While the Walter Ulbricht LP would always be a welcome addition to anyone's personal collection, it is the Grey Area CD version that steals the show, adding three more tracks at the compilation's tail end.

      Early material is merciless, biting with rawness, while from the middle it becomes (only remotely) accessible, adding proper dance rhythms but still refusing to give up the mental confines, tickling the word "gothic" with its own slab of macabre-ish intensity.

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