Chevelle (2) – Wonder What's Next
Label: |
Epic – 86157 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Metal |
Tracklist
| 1 | Family System | 4:17 | |
| 2 | Comfortable Liar | 3:44 | |
| 3 | Send The Pain Below | 4:12 | |
| 4 | Closure | 4:12 | |
| 5 | The Red | 3:58 | |
| 6 | Wonder What's Next | 4:10 | |
| 7 | Don't Fake This | 3:39 | |
| 8 | Forfeit | 3:59 | |
| 9 | Grab Thy Hand | 4:13 | |
| 10 | An Evening With El Diablo | 5:58 | |
| 11 | One Lonely Visitor | 4:08 | |
| Video-1 | The Red | 4:18 | |
| Video-2 | The Red - Behind The Scenes | 5:02 |
Companies, etc.
- Copyright © – Sony Music Entertainment Inc.
- Phonographic Copyright ℗ – Sony Music Entertainment Inc.
- Manufactured By – Epic
- Record Company – Sony Music
- Copyright © – WB Music Corp.
- Copyright © – Loeffler Music
- Copyright © – Squint Songs
- Mastered At – Masterdisk
- Recorded At – The Warehouse Studio
- Mixed At – Soundtrack Studios
- Copyright © – Harold & Esther Edgerton Foundation
- Published By – Warner/Chappell Music
- Glass Mastered At – Sony Music, Pitman – TP-108148
Credits
- A&R – Ben Goldman (2)
- A&R [A&R Coordinator] – Farra Mathews
- Art Direction – Sean Evans (4)
- Band [Chevelle], Bass, Backing Vocals – Joe*
- Band [Chevelle], Drums – Sam*
- Band [Chevelle], Vocals, Guitar – Pete*
- Booking – Jeremy Holgersen
- Booking [At] – The Agency Group
- Cover, Artwork [Tray] – Harold Edgerton
- Edited By [Digital Editing] – Ben Kaplan
- Engineer – Michael "Elvis" Baskette
- Engineer [Assistant Engineers] – Dean Maher
- Engineer [Mix Assistant] – Steve Sisco
- Legal – Nick Ferrara
- Legal [At] – Serling, Rooks & Ferrara*
- Lyrics By – Pete Loeffler (tracks: 2 to 11)
- Management – Rose McGathy
- Management [Bill McGathy At] – Indegoot Entertainment*
- Management [Business] – Melanie Clark (2)
- Management [Rose McGathy At] – Mean It! Management*
- Mastered By – Howie Weinberg
- Mixed By – Andy Wallace
- Music By – Chevelle (2) (tracks: 2 to 11)
- Photography By [Band Photos] – Chapman Baehler
- Photography By [Cover, Tray & Back Cover Photos] – Harold Edgerton
- Producer [Produced By] – GGGarth
Notes
Standard jewel case with clear tray, sticker on cover & 8-page lyrics fold-out sheet.
Some copies came with a blue hype sticker
Enhanced content includes a "behind the scenes" look at the making of "The Red"
Mastered at Masterdisk.
Recorded at Warehouse, Vancouver, B.C.
Mixed at Soundtrack Studios, NYC.
All songs ©2002 WB Music Corp. & Loeffler Music.
All rights on behalf of Loeffler Music istered by WB Music Corp. (ASCAP)
Except 'Comfortable Liar' ©2002 Squint Songs & Loeffler Music.
All rights on behalf of Loeffler Music istered by Squint Songs (ASCAP)
Cover, tray and back cover photos:
© Harold & Esther Edgerton Foundation, 2002, courtesy of Palm Press, Inc.
Publisher: Warner Chappell Music
© 2002 Sony Music Entertainment Inc. / ℗ 2002 Sony Music Entertainment Inc.
Manufactured by Epic, a division of Sony Music. / 550 Madison Avenue, New York, NY 10022 3211
Some copies came with a blue hype sticker
Enhanced content includes a "behind the scenes" look at the making of "The Red"
Mastered at Masterdisk.
Recorded at Warehouse, Vancouver, B.C.
Mixed at Soundtrack Studios, NYC.
All songs ©2002 WB Music Corp. & Loeffler Music.
All rights on behalf of Loeffler Music istered by WB Music Corp. (ASCAP)
Except 'Comfortable Liar' ©2002 Squint Songs & Loeffler Music.
All rights on behalf of Loeffler Music istered by Squint Songs (ASCAP)
Cover, tray and back cover photos:
© Harold & Esther Edgerton Foundation, 2002, courtesy of Palm Press, Inc.
Publisher: Warner Chappell Music
© 2002 Sony Music Entertainment Inc. / ℗ 2002 Sony Music Entertainment Inc.
Manufactured by Epic, a division of Sony Music. / 550 Madison Avenue, New York, NY 10022 3211
Barcode and Other Identifiers
- Rights Society: ASCAP
- Barcode (Text): 6 9699-86157-2 4
- Barcode (Scanned): 696998615724
- Matrix / Runout (Variant 1): TP-108148 J2 2A 17
- Mastering SID Code (Variant 1): IFPI L422
- Mould SID Code (Variants 1): IFPI 5100
- Matrix / Runout (Variant 2): TP-108148 H4 2A 07
- Mastering SID Code (Variant 2): IFPI L424
- Mould SID Code (Variant 2): IFPI 72ZY
- Matrix / Runout (Variant 4): TP-108148 02
- Mastering SID Code (Variant 4): IFPI L337
- Mould SID Code (Variant 4): IFPI 5100
- Matrix / Runout (Variant 5): TP-108148 H3 2A 12
- Mastering SID Code (Variant 5): IFPI L423
- Mould SID Code (Variant 5): IFPI 720N
- Matrix / Runout (Variant 6): TP-108148 H4 2A 02
- Mastering SID Code (Variant 6): IFPI L424
- Mould SID Code (Variant 6): IFPI 720F
- Matrix / Runout (Variant 7): TP-108148 H4 2A 10
- Mastering SID Code (Variant 7): IFPI L424
- Mould SID Code (Variant 7): IFPI 7294
- Other (Cover Sticker; Cat. #): K 86157-S2
Other Versions (5 of 28)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Wonder What's Next (CD, Album, Promo) | Epic | ESK 56837 | US | 2002 | ||
|
Recently Edited
|
Wonder What's Next (CD, Album, Enhanced) | Epic | EK 86157 | Canada | 2002 | ||
|
New Submission
|
Wonder What's Next (11×File, Album, MP3, 320 kbps) | Epic | none | US | 2002 | ||
|
Recently Edited
|
Wonder What's Next (CD, Album, Club Edition, Enhanced) | Epic | EK 86157 | US | 2002 | ||
|
New Submission
|
Wonder What's Next (CD, Album) | Epic | 5105312000 | Australia | 2002 |
Recommendations
Reviews
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Following their debut album, Point #1, Chevelle departs from their experimental sound and finds their foundation in Wonder What's Next. Brothers Pete, Sam, and Joe each contribute to a unique soundscape with sometimes cryptic, haunting lyrics that deal with human nature with a twist. Tracks like "The Red," and "Send the Pain Below" deal with crushing things of rage and desperation while the final track, "One Lonely Visitor," experiments with a tinny, haunting sound that explores feelings of isolation and longing for company within misery.
The Red is perhaps the most popular track on this album but I beg you to consider "An evening with El Diablo," as a serious contender for the best. While "The Red" explores the anger associated with being singled-out and rejected, "An Evening with El Diablo," explores the same subject from the perspective of saddened awe and lament.
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Release
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Recently Edited
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