Tracklist
Brian May– | The Dark | 2:20 | |
Brian May– | Back To The Light | 4:59 | |
Brian May– | Love Token | 5:55 | |
Cozy Powell– | Resurrection | 5:27 | |
Brian May– | Too Much Love Will Kill You | 4:28 | |
Brian May– | Driven By You | 4:11 | |
Brian May– | Nothin' But Blue | 3:31 | |
Brian May– | I'm Scared (Justin's Mix '92) | 4:00 | |
Brian May– | Last Horizon | 4:10 | |
Brian May– | Let Your Heart Rule Your Head | 3:51 | |
Brian May– | Just One Life | 3:38 | |
Brian May– | Rollin' Over | 4:36 |
Credits (13)
- Justin Shirley-SmithCo-producer, Engineer
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Heidi CannavoEngineer [Assistant]
- Noel Haris (2)Engineer [Assistant]
- Jim Beach (2)Management
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Julie GloverManagement
- Kevin MetcalfeMastered By
Versions
Filter by
96 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Back To The Light
CD, Album
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Parlophone – CDPCSD 123 | Europe | 1992 | Europe — 1992 | ||||
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Back To The Light
LP, Album
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Parlophone – PCSD 123 | UK & Europe | 1992 | UK & Europe — 1992 |
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Back To The Light
Cassette, Album
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Parlophone – TC-PCSD 123 | UK & Europe | 1992 | UK & Europe — 1992 |
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Back To The Light
LP, Album, Stereo
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Parlophone – 0777 7 80400 1 9 | Italy | 1992 | Italy — 1992 |
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Back To The Light
Cassette, Album
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Parlophone – 00777 7804004 0 | Europe | 1992 | Europe — 1992 | ||||
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Back To The Light
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Parlophone – 082 7 80400 1 | Spain | 1992 | Spain — 1992 |
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Back To The Light
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Parlophone – 282 7 80400 4 | Spain | 1992 | Spain — 1992 |
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Back To The Light - バック・トゥ・ザ・ライト~光にむかって~
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EMI – CDPCSD 123 | Japan | 1992 | Japan — 1992 |
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Back To The Light
LP, Album, Stereo
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Parlophone – 07777 7 80400 1 9 | Greece | 1992 | Greece — 1992 |
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Back To The Light
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Parlophone – 25204 | Venezuela | 1992 | Venezuela — 1992 |
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Back To The Light
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Parlophone – CDPCSD 123 | Europe | 1992 | Europe — 1992 | ||||
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Back To The Light
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Parlophone – PCSD 123 | Croatia | 1992 | Croatia — 1992 |
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Parlophone – 7 80400 4 | Argentina | 1992 | Argentina — 1992 |
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Parlophone – 0777 7 80400 4 0 | Israel | 1992 | Israel — 1992 |
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Back To The Light
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Parlophone – TCSD 123 | Greece | 1992 | Greece — 1992 |
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Back To The Light
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Parlophone – 7804001 | South Korea | 1992 | South Korea — 1992 |
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Parlophone – CDPCSD 123 | Europe | 1992 | Europe — 1992 |
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Back To The Light
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Parlophone – 7804002 | Australia | 1992 | Australia — 1992 |
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Parlophone – 0777 7 80400 1 9 | Portugal | 1992 | Portugal — 1992 |
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Back To The Light
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EMI – 501827-4 | Uruguay | 1992 | Uruguay — 1992 |
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Back To The Light
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Parlophone – 780400 1 | Brazil | 1992 | Brazil — 1992 |
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Back To The Light
Cassette, Album, Unofficial Release
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Euro Star – ES 1662 | Poland | 1992 | Poland — 1992 |
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Back To The Light
Cassette, Album, Unofficial Release
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Megaton (5) – MT-855 | Poland | 1992 | Poland — 1992 |
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Back To The Light
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Parlophone – 0777 7 80400 1 9 | UK | 1992 | UK — 1992 |
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Back To The Light
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Parlophone – 00777 7804004 0 | Portugal | 1992 | Portugal — 1992 |
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Back To The Light
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Parlophone – TC-PCSD 123 | Indonesia | 1992 | Indonesia — 1992 |
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Back To The Light
Cassette, Album, Unofficial Release
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WAB Records – W-147 | Poland | 1992 | Poland — 1992 |
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Stallions – 00777 7804004 0 | Saudi Arabia | 1992 | Saudi Arabia — 1992 |
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EMI – 00777 7804004 0 | Thailand | 1992 | Thailand — 1992 |
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Back To The Light
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Parlophone – T 2582 | Turkey | 1992 | Turkey — 1992 |
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Parlophone – 00777 7 80400 4 0 | Italy | 1992 | Italy — 1992 |
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Back To The Light
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Sony – 11001502 | Colombia | 1992 | Colombia — 1992 |
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Back To The Light
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EMI – 105836 | Chile | 1992 | Chile — 1992 |
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Back To The Light
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Parlophone – 7 80400 2 | Brazil | 1992 | Brazil — 1992 |
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Back To The Light
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Parlophone – 272 7804004 | Spain | 1992 | Spain — 1992 |
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Back To The Light
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Parlophone – L4 EMCJ (N) 5475 | South Africa | 1992 | South Africa — 1992 |
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Back To The Light
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EMI – 00777 7804004 0 | Mexico | 1992 | Mexico — 1992 |
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Back To The Light
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EMI – 21001502 | Colombia | 1992 | Colombia — 1992 |
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Back To The Light
LP, Album
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EMI – 80400-1 | Guatemala | 1992 | Guatemala — 1992 |
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Back To The Light - バック・トゥ・ザ・ライト~光にむかって~
CD, Album, Promo, Stereo
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EMI – CDPCSD 123 | Japan | 1992 | Japan — 1992 |
Recently Edited
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Recommendations
Reviews
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Just picked this up on Amazon UK for £15 / €18. I do feel sorry for whoever paid over €218 on Discogs for it. Hope it was at least an autographed copy. FYI, Amazon UK have it at £23 as of 18 July 2024.
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referencing Back To The Light (LP, Album) 0777 7 80400 1 9
This DMM vinyl sounds fantastic. No background noise on perfectly quiet vinyl. Sonics are excellent with wide separation. -
I'm picking up high frequency distortion on all of side 1, and only parts of side b. Very odd, but does not sound right. Fluance rt85 w/ at-vmn95ml
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Edited one year agoI’m surprised to say that my copy sounds pretty good. It’s mostly flat as well. I was happy to find this at a thrift store in real good shape. It wasn’t new but it was pretty close.
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I just picked up a second hand original 1992 cassette. Sounds really great for a 30+ years old tape !!
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referencing Back To The Light (LP, Album) PCSD 123
This pressing will give you the best sound you can ever hear from this album.
I had a chance to compare with original, reissue CDs and Greek original, reissue LPs. -
referencing Back To The Light (CD, Album) 0777 7 80400 2 6
albums sounds good I like the sound quality and i found nothing wrong, amazing songs -
Edited 3 years agoI' just made a back to back comparison white lp vs original uk press and new cd vs original uk cd.
As for vinyl, the old one is a bit high frequency heavy but sounds pretty bright. With the new one they tried to gain more mid-range which does not work most of the time, as it starts to sound clunk.
The only difference I got comparing CDs is rhat new one sounds way louder.
So both originals actually sound better to my ears. -
I had nothing to compare it with, but it feels like it sounds a little flat. As well as reissues of Queen of the 2000s.
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The label on my record is glued only around the edges, so the whole label bubbles. That means one side of the record is unplayable coz the record cannot lay flat. Unpleasantly surprised by the low quality control of Optimal Media. Usually you can expect that from PZ media, not Optimal. The record was also very dusty.
Not amused, expecially because the overall contents of the box is pretty average anyway.
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