Revival Series

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Profile:	A "budget" audiophile label from Acoustic Sounds. All vinyl titles were mastered by Stan Ricker and Bruce Leek, pressed and plated on 150 gram vinyl at RTI, and listed in the 1990s for $17.50. They have a Revival Series logo on the front cover art. CDs were also pressed on silver disks. Back covers list mastering equipment and state Acoustic Sounds and RTI have acquired the spectacular Wilson Audio Custom Tube Mastering facility. The equipment has been installed at RTI in California with Bruce Leek and Stan Ricker, mastering. Analogue Productions Revival Series were the first LPs mastered with this incredible system. The beauty of having the mastering facility in the same location as the pressing plant is that the lacquers can be processed immediately. This eliminates any degradation in the lacquer. RTI has state of the art pre-plating equipment and produces the best pressings in the world.
Parent Label:	Analogue Productions

Profile:

A "budget" audiophile label from Acoustic Sounds. All vinyl titles were mastered by Stan Ricker and Bruce Leek, pressed and plated on 150 gram vinyl at RTI, and listed in the 1990s for $17.50. They have a Revival Series logo on the front cover art. CDs were also pressed on silver disks.

Back covers list mastering equipment and state
Acoustic Sounds and RTI have acquired the spectacular Wilson Audio Custom Tube Mastering facility. The equipment has been installed at RTI in California with Bruce Leek and Stan Ricker, mastering. Analogue Productions Revival Series were the first LPs mastered with this incredible system. The beauty of having the mastering facility in the same location as the pressing plant is that the lacquers can be processed immediately. This eliminates any degradation in the lacquer. RTI has state of the art pre-plating equipment and produces the best pressings in the world.

Parent Label:

Analogue Productions

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milehi Feb 14, 2019
Note from original catalog:

The lacquer for each Analogue Productions Revival Series LP was cut by Stan Ricker using the state of the art Wilson Audio Custom Tube Mastering system, acquired by AcousTech Mastering, a t venture between Acoustic Sounds and Record Technology, Inc. The system was further upgraded by the renowned Neil Muncy and installed at RTI’s production facility in Camarillo, California. With one of the world’s finest plating and pressing facilities located in-house, the lacquer was processed within minutes of being cut, before any degradation to the delicate grooves could occur. Test pressings, generated immediately following the plating process, were meticulously inspected visually and auditioned carefully, before the stamper was approved for use in a limited production run of records