FFRR

Profile:

Dance music-focused imprint founded as Full Frequency Range Recordings in 1986 under the umbrella of Nick Raphael (2) started at the label as product manager and later became label manager.

In 1979 when Polygram Records purchased the ailing Decca Record company, London was just another document trademark gathering dust. Upon its revival and rebirth three years later it took up where it had left off, licensing young black American acts (New Edition, Rockers Revenge) and founding its own roster beginning with Blancmange and Bananarama. At the time what differentiated London from other "Major" record companies was its incredibly high proportion of chart entries and the esteem in which it held the then scorned "dance music". With the development of the London roster and the addition of rock acts such as the Hothouse Flowers and Then Jericho there was a danger that the dance focus of the early London would be lost, and a decision has been taken to separate the company into two labels, FFRR and London.

The original FFRR was a trademark of Decca. It was launched in 1947 to mark the advent of a new era in high fidelity sound, and it was later incorporated into the London logo. The new (1987–present) FFRR is an independent dance label under the guidance of Head of A&R Pete Tong, responsible for continuing the great tradition of dance music at London Records.

Although the company name FFRR Records Ltd. first appeared on releases in 1986, the standard London logos were used until 1987. Such releases, even if they have an old-style "ffrr" badge embedded in the London logos, should only be filed under Decca as appropriate, and mention ffrr in the release notes.

From 1990 on, the imprint was d with both FFRR Records Ltd and former immediate parent London Records 90 Ltd..
Pete Tong relaunched the label in 2011 and it now sits as a sub label of Warner Music Group.

Label head from October 2019 to April 2024: Evie Grain (ex-BMG) as marketing lead from 2021.
The label was rebranded in February 2021 with an updated logo by Trevor Jackson.

DJ on the catalog numbers generally denotes a promo copy.

Label code: LC 7654 / LC 07654

Parent Label:

FFRR Records Ltd.

Sublabels:

Marvin Nash Records

Info:

Manufacturer

FFRR Cannon Place 78 Cannon Street London, EC4N 6AF UNITED KINGDOM https://www.ffrrecords.com/

Manufacturer EU

Warner Music Group Holding GmbH Alter Wandrahm 14 20457 Hamburg https://discogs.sitiobypass.com/cdn-cgi/l/email-protection" class="__cf_email__" data-cfemail="e4858a8296858381a49385968a81968991978d87ca878b89">[email protected]

Links:

ffrrecords.com , Facebook , Instagram , labelsbase.net , Soundcloud , X , YouTube , YouTube

Label

Edit Label
Data quality rating: Data Correct
4292 submissions pending

For sale on Discogs

Sell a copy

77,215 copies

Year

Reviews

  • majesticuncasual's avatar
    Edited 7 years ago
    Anyone have any recommendations of obscure artists to check out? I found the label because of Dj Icey, Goldie, LTJ Bukem and I love a few random gems like Armand Van Helden- You Don't Know me. Still I'd love to know if there are any recommended artists, compilations or something that would help me discover the more obscure side of their catalog. Maybe releases that have stood the test of time? I'll be digging into it deeper either way however 3000 releases is so intimidating. Any underground/ obscure must listens or favorites? Cheers!

    • transition-metal's avatar
      Edited 9 years ago
      ffrr is a cool label with a huge catalogue of artists from DJ Seduction, Orbital, tall paul and a shit load of others, not too sure where a release by London symphony orchestra fits in especially since it is 1949 release when this label started in the 80's!!!!
      • searchy's avatar
        searchy
        Pretty amazing that no one has left a review of possibly the most influential label of all time. FFRR has had hit releases spanning four decades now and has been responsible for some of the most influential dance music tracks of all time, spanning all genres.

        Its so much harder these days to make an impact in an insanely crowded pool of labels but FFRR continues to do so, a prime example being one of the absolute best progressive house tracks of the past 10 years in Jon Hopkins remix of Coldplay's Midnight.

        FFRR will take it's rightful place in history when all is said and done thanks to such an amazing amount of quality releases. We salute you Pete Tong!