UR*The Final Frontier

レーベル:

Underground Resistance – UR003MCM

フォーマット:

レコード , 12", 33 ⅓ RPM, 45 RPM, Reissue

:

US

リリース済み:

ジャンル:

Electronic

スタイル:

Acid

収録曲

A1 The Final Frontier 8:18
A2 Entering Quadrant Five 3:57
B1 Base Camp Alpha 808 6:18

会社名など

  • 著作権©Underground Resistance
  • 音源著作権℗Underground Resistance
  • 出版Mad Mike Music
  • 販売Submerge (3)

クレジット

  • Lacquer Cut ByDiet—*
  • ProducerMad Mike*

ノート

Side A: 33 ⅓ RPM.
Side B: 45 RPM.

Some copies have a smaller 'BMI' on the centre label.

Repressed in April 2025

バーコードとその他の識別子

  • Matrix / Runout (Side A, etched): UR-003 MCM A Diet—
  • Matrix / Runout (Side B, etched): UR-003 MC M B DieT~
  • 権利協会: BMI

他のバージョン(7件中5件)

全て見る
タイトル (フォーマット) レーベル カタログ #
The Final Frontier (12", 33 ⅓ RPM, Archer Record Pressing) Underground Resistance UR003 US 1992
最近編集された
The Final Frontier (12", 33 ⅓ RPM) Underground Resistance UR003 US 1992
最近編集された
The Final Frontier (12", Mispress, Reissue) Underground Resistance UR003 US 1996
最近編集された
The Final Frontier (Nomadico Edit) (File, MP3, 192 kbps) Not On Label (Underground Resistance Self-released) none 2008
新しい投稿
The Final Frontier (Nomadico Remix) (File, MP3, 320 kbps) Tresor none 2021

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レビュー

  • m44-7さんのアバター
    m44-7
    3日前に編集されました
    got it out of curiosity and the "X-mix 2 The Tracks" version of the a1 cut stays in the bag as it sounds way superior.
    make no mistake though - this record is not only about the a1 track, not at all.

    sonicwise the A side sounds middy, there's NSC signature crisp or sonic character, andI'd say it's lacking a bit of treble too - if you want to try to make it work among other mid90s records you have to work the EQ a bit (fight the mids, dont boost the treble).

    the B side sounds closer to an old UR (NSC) record BUT the levels are even lower so the noisefloor @ 45 rpm is 2,5-3 dB lourder (my copy) - so, the sonics are pretty GOOD, but the final S/N is typical of an old VG+ record - surely playable, but you have to be clinical in your treatment and storage to avoid any audible defects and noisefloor boost*.

    on a plus side - the plating / pressing is decent and it is a LEGIT reissue so you one of the most important artists / label ever. they did the best they could to make this classic EP available again so we should keep our "audiophile sentiments" at bay. IT IS a playable record - let it LIVE.

    • boyd_westermanさんのアバター
      boyd_westerman
      got the original. this was the bomb track back in the day.
      • Coefficientさんのアバター
        Coefficient
        Comparing this new 2024 remaster/repress with the original 1992 record…

        Overall tonal (frequency) balance is better on this new repress. 1992 cut is louder and brighter (more 3KHz) but with more distortion.

        2024 remaster has more clarity and more controlled/refined midrange and better low end, and the 808 drum transients are clearer without distortion.

        The dodgy edits and left-right volume dips present in the 1992 original are still present in this 2024 repress, but sound less intrusive.

        Overall a quality 2024 remastered pressing of this Mad Mike classic!
        • frontaxlさんのアバター
          frontaxl
          Have wanted this record for a long time, so happy to see a repress and it sounds incredible
          • nicholas.tappingさんのアバター
            nicholas.tapping
            If you don't have this classic detroit techno 12", snap it up now. Quality pressing. Do not sleep on this...
            • freeguwop2016さんのアバター
              freeguwop2016
              Pressing sounds really good.
              One of the best acid records from the 90s, stoked to see it repressed.

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              • ほしい:602
              • 平均評価:4.91 / 5
              • 評価:103
              • 最新の販売:
              • :€13.18
              • 中間点:€19.02
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